DarielB – Flying Under the Radar

SaRon Crenshaw: SxSE Brings Blues With a Soul Twist to the Beach

Posted in Live Performance Previews/Reviews by darielb on December 16, 2011

SaRon Crenshaw with the red Gibson. (Photo courtesy SaRonCrenshaw.com)

South By Southeast, the not-for-profit music organization in Myrtle Beach will open its 2012 season with a show appealing to blues lovers, soul fans and R&B aficianados alike.

Powerhouse guitarist SaRon Crenshaw will be bringing his electrifying band all the way from the Big Apple to the Myrtle Beach Train Depot on Jan. 7, 2012.

SxSE board member Charles Newell, who is also the bass player for the Chainsaws, a local band, says, “I saw SaRon in Greenwich Village in October. We started working right then on getting him for a SxSE Music Feast.”

He’s a sought-after performer at spots like B.B. King Blues Club & Grill in New York and Terra Blues, a blues saloon in the heart of Greenwich Village.

Touring often, Crenshaw delights audiences with his fiery guitar licks and soulful vocals. The show at the intimate historic Train Depot will offer a unique opportunity to get an up-close look at his Gibson “Lucille” model guitar, which was signed by B.B. King himself.

Peter “Blewzzman” Lauro, who reviews live performances and recordings for the comprehensive online music resource, Mary4Music.com had this to say about SaRon Crenshaw in a review of the 2006 Red Bank Jazz & Blues Festival in New Jersey:
“All music festivals have their surprises and this fest ws no different. There’s always that one act that you catch, get awed by, then think to yourself… ‘who in hell is this/” Well that such person was SaRon Crenshaw. At one of the auxilisary stages SaRon drew one of the largest and more enthusiastic crowds of the event (at leas of the acts I saw). Until now, this regular player at New York City’s Terrablues was virtually unknown to me a lot of the crowd. However, there was no way he was allowing his unfamiliarity to become an obstacle. SaRon stood up there and played like he was Buddy Guy (except, unlike Buddy, he finished all of his songs) and the crowd was a bunch of his fans. At one point he even came down into the crowd, strolling between revelers, while playing the guitar with his tongue. This guy was a hell of a showman and more importantly, a hell of a bluesman. That’s SaRon Crenshaw, keep your eyes and ears open for him.”

Members of the SaRon Crenshaw Band include Crenshaw (guitar and vocals); Junior Mack (guitar and vocals); Al Levy (bass and vocals); Barry Harrison (drums and vocals); and Bob Schlesnger (keyboards).

Music Feasts are $25 per person ($20 for SxSE annual concert series members). Reservations are suggested. Send an email to southxsoutheast@aol.com, with the number of tickets and your zip code. They’ll put you on their A list.

Along with an incredible night of music, your ticket includes a potluck dinner and dessert, wine and beer from New South Brewery, soft drinks and coffee. Feasting begins at six o’clock and the music starts at seven. Or sevenish.

Since South by Southeast is an IRS-approved 501(c) (3) organizations, memberships and donations are wholly tax deductible.
The Myrtle Beach Train Depot is located at 851 Broadway in Myrtle Beach. For more information about the SxSE event,log onto http://www.southbysoutheast.org.


Blues Guitarist Rickey Godfrey Is Heading To the Beach!

Posted in Live Performance Previews/Reviews by darielb on September 28, 2009
Rickey Godfrey working his Telecaster.

Rickey Godfrey working his Telecaster.

Nashville, Tenn. blues guitarist Rickey Godfrey is coming to the Grand Strand for five local performances.  On Sunday, Oct. 4, Godfrey will participate in the Myrtle Beach House of Blues Art Show & Blues Battle, and is slated to take the stage at 3:30 p.m. Godfrey has four dates scheduled at Key West Crazy in Little River, S.C. He will play Monday, Oct. 5 from 7 to 10 p.m.; Friday, Oct. 9 and Saturday, Oct. 10 from 7 to 10:30 p.m.; and Sunday, Oct. 11 from 6 to 9 p.m.

Godfrey, who has been blind since birth, is considered to be one of Nashville’s premier blues guitarists. He began studying at the age of seven, while attending the South Carolina School for the Blind. He studied classical piano and voice, and later added guitar to his list of musical accomplishments. The versatile guitarist is also known for his gritty soulful vocals.

Godfrey says, “I like many different kinds of music, which has helped me to develop more of an original style. I don’t just listen to blues. I listen to jazz, country, R&B, rock  gypsy music, classical, which gives my playing a lot of influences. So, when I play blues I don’t sound like Albert King or Elmore James. I don’t sound like Eric Clapton and Stevie Ray Vaughn, either; I sound like Rickey Godfrey. Although I love those guys I just mentioned, the blues I play, I infuse with guitar licks from old jazz guitarists like Charlie Christian, but, especially, Django Rhinehart, who was a big influence on my playing. It makes me sound different from a lot of guitar players who, I think, play too many stock, predictable blues and rock licks.”

Born in Greenville, S.C. he moved to Nashville in 1993. Since then he has worked with artists such as Rufus Thomas,  Sam Moore, Billy Preston and Junior Walker. He has been nominated by the Music City Blues Society for both Guitarist and Keyboard Player of the Year.

For more information about the artist, visit his MySpace page at www.myspace.com/therickeygodfreyband .

Donny Trexler Comes of Age

Posted in Interviews by darielb on September 9, 2008

On June 12, guitarist/songwriter/ vocalist/harmonica player/arranger/ producer and beach music legend Donny Trexler turned 65 years old, which, as it turns out, isn’t nearly as old as it used to be.

If you’ve ever heard Donny’s Stratacaster wailing on Bob Seger’s “Turn the Page” or witnessed Donny up on the bar at Captain Poo’s gettin’ down with Jackie Wilson’s “Higher and Higher,” well, you know what I’m talking about. He’s 65, going on 19.

Listening to him work one of his 20 or so Gibsons, Fenders and other guitars – which I do most Tuesday nights – it’s easy to imagine Donny trading licks with national rockers like the Allman Brothers and the Doobie Brothers. In 1970, before Duane Allman died, Donny was with the Okaysions when they opened for the Allman Brothers. Donny was with Swing a few years later when the band opened for the Doobies.

His peers in Beach Music have taken notice of his talents, evidenced by his 2007 CBMA nomination for Instrumentalist of the Year. He also received a Cammy lifetime achievement in 2000 and was inducted into the South Carolina Rhythm & Blues Hall of Fame in 2001. Also in 2001, he received the Palmetto Award from then South Carolina Governor Hodges. However, many in the industry feel his talents go largely unappreciated.

Nashville blues guitarist Rickey Godfrey, who has earned CBMA awards for Blues album, Blues song and Group of the Year, among others, said, “I think Donny is an old pro and entertaining audiences comes naturally to him. Donny’s got real talent as a guitarist and a singer, and I admire his versatility. He’s a singer who sings with real soul, so he can do R & B well, but his voice is versatile enough so that he’s also a good smoothies singer. Sadly, Donny hasn’t gotten the recognition in the beach community that he deserves.”

DJ and author John Hook agrees, saying ” I think that the most unsung thing about Donny is his songwriting ability. And the first time I heard him play harmonica, it took me awhile to realize he wasn’t running a tape. Another talent is building midi tracks. The man is multi-, multi-, multi-talented. I don’t think his praises have been sung even 50% of what they should be.”

Donny began performing as a youngster. “I sang in church, and at eight years old, I sang with Joe Stone and the Dixie Mountain Boys, a blue grass group. Joe Stone said to my daddy, ‘Hey, how about if I bring little Donny with me to sing at the radio station?’

“And that’s how it began. After a few years, I began with rock ‘n’ roll. One day, some time in 1958, I picked up Joe Stone’s Martin D28 and taught myself guitar … even the lead.
“In high school, I had a band called Donny & the Blue Jets (the name of the football team). It was a five-piece group – two guitars, one sax, one bass, frummer. We played ‘Peggy Sue,’ that sort of stuff.”

Still in high school, Donny would play and sing lead with a couple other groups including the Six-Teens (there were six of them, and they were all 16). During the summer of 1960, Bob Collins was playing on the road, and to make a long story short, the groups traded drummers, so now Bob Collins was part of the group. When one of the players left the following year, the name changed to Chuck Tilley and the Fab Five. The band fired Tilley and the group became Bob Collins and the Fab Five.

During this time, the group recorded the well-crafted “Jukebox,” (“If I Only Had a Dime”) which was a Russell-Medley tune and not written by Donny Trexler, as many believe. The group had discovered The Furys’ version of “Jukebox” in 1964, on the flip side of “Only Love Can Break Your Heart.” They would record it twice, first at the Arthur Smith Studio and again at Copeland, which would be the version released.

A stint with Ted Caroll & the Music Era followed during 1968. Bill Griffin broke up that group, sending Donny to the Okaysions, where he would remain until 1972, first as the group’s guitar player and later stepping in as lead singer when Donnie Weaver left the group. He appeared with the group on Dick Clark’s American Bandstand.

By 1972, Donny had met Susan and the two formed Swing, a four-piece Top 40 act that toured all over the East Coast until 1988. At that time, Donny and Susan, now married formed Swing Too. The pair still performs together, although not as Swing, Too. Susan says, “Donny is a remarkably talented entertainer and musician and taught me everything I know about the industry. What a blessing to have him in my world!”

Charles Willis, who played drums for Swing when he wasn’t touring with B.J. Thomas had this to say: “Donny is the bomb in his method of keeping time with his music. Most performers and vocal artists will maybe tap their foot or pat their leg to keep time. Donny puts his whole body into his time keeping. Swaying from left to right with every beat of the music, this has become his trademark move for the 40 or so years I have had the honor of knowing and working with him.”
According to Jim Quick, irascible leader of the very popular Coastline Band, “A true living legend, Donny is one of the greatest songwriters of our time and a building block in the foundation of beach music. It’s amazing how humble a man can be with such conviction and dedication and make such an impact on an entire generation.”

From Craig Woolard, former lead singer of The Embers, now heading his own Craig Woolard Band, comes, “Donny Trexler was already a beach music institution when I started playing music. From ‘If I Didn’t Have a Dime’ to the Okaysions to the best damn four-piece show band I have ever seen – Swing – Donny has entertained thousands of people, and I am proud to call him my friend.”

Every Tuesday night at Captain Poo’s in North Myrtle Beach, South Carolina, Donny plays to a packed demographic of retirees, working stiffs, teenagers, gen-Xers, tourists, locals, shaggers, cloggers, line dancers, classic rockers, bikers and the occasional third grader. His skill, experience and repertoire is such that he plays to all of them.

Singer-songwriter Calabash Flash, who often sits in with Donny at Poo’s, says, When I think about Donny Trexler I see the ultimate performer that will work just as hard to entertain ten people as he would for a thousand. If there is a style of music that he can’t do, I don’t know what it is. I have heard him do it all without blinking.”

Internet DJ and Beach Music promoter Willie C, who is also a regular at Poo’s, said, “Donny Trexler is like the ‘Naked City’ – a man with eight million stories.” And he tells a new one every week!
Congratulations to Donny Trexler on his recent birthday and on his many musical talents. Donny, I hope you live as long as you want to … and want to as long as you live. Now, where have I heard that before?

A similar version of this blog is running in the July 3, 2008 edition of Coast Magazine and Alternatives NewsMagazine, the two independent papers in Myrtle Beach, South Carolina, both of which go to press every other Thursday.
Donny’s Website
Alternatives website