Cagle & Nash
If you’re not located in the Carolinas, you may not yet know about this Charlotte, N.C. duo, but Cagle & Nash are one of the best R&B acts around. Greg Cagle plays saxophone, guitar and sings lead vocals. Rick Nash plays a mean trumpet. Both are talented composers.
This soulful recording consists of 11 tracks and for my money, any one of them could be released as a single. Presentation throughout is solidly polished. This is pop meets old school and the result is spectacular. All songs on Soul Complete were written by Greg Cagle and Rick Nash.
The first song into it, I knew I was in for a treat. “Pick Up the Phone” is a jazzy piece that shows off the vocal talents of Greg Cagle, and Rick Nash – what a horn player!
The second track, “December,” boasts some equally rich horns. Also of note are the disc’s harmonies by Cagle and backup singers Robyn Springer and Jarrett Gillis.
Musicians on Soul Complete include: Greg Cagle (drum programming, saxophone, lead vocals, background vocals, guitar, bass, vibraphone), Rick Nash (trumpet), David Rhyne (percussion), Joe Miers (bass), Bobby Aycock (piano), Larry Gianneschi, Zach Wheeler, Greg Mitchell (alto sax), David Floyd (string arrangement, strings), Robyn Springer (lead and background vocals), Jarrett Gillis (background vocals), Tovaris Matthews (drums), Kenneth Leonard Jr. (piano), Steve McGuirt (drums), Bill Baucom (piano), Di Yonna Mitchell (lead vocal).
If you’re a fan of R&B, soul or pop, you’ll want to give this album a listen.
C&N is releasing another CD titled Loungevity later this month. I haven’t hear any of it yet, but I’m expecting big things.
Awendaw Green Records
I love the simplicity and authenticity of this CD. There’s virtually no digital manipulation. It’s just one lone acoustic bluesman singing, picking and stomping his own version of backwoods Delta blues.
Jeff Norwood is a superb storyteller. He doesn’t judge. He just tells it like it is – whether he’s singing about sex, race, religion, love, money or catfish, he just has a story to tell.
“Bad Ass Boogie” is “the way music was made, back in the woods, back in the day, everybody got high, everybody got laid, that was the tune that always got played, the bad ass boogie.”
“Walking Catfish Blues” really is about a big ole catfish walking around looking for love and something to eat.
“Horny Road” is the back country counterpart to suburbia’s Lover’s Lane, only the couples don’t stop.
In the same vein, “Shake” will transplant you to a street corner or a front porch on a sticky summer evening when temperatures and hormones are on the move.
Our faithful bard wrote all but one of Awendaw’s ten tracks. “Kokomo Blues” was written by North Mississippi blues guitarist/singer Fred McDowell (1904 – 1972).
Norwood, who grew up working on a S.C. farm, has paid his dues working some rough roadhouses and juke joints. Maybe that’s why he’s so matter of fact about his subject matter.
Awendaw, which is named for the small S.C. town where Norwood records, should be part of any serious blues collection.
I first heard this phenomenal performer at a club in Columbia, S.C. He was playing to a packed room – folks who knew the lyrics to every tune and the story behind it. It didn’t take me long to appreciate Edwards’ considerable vocal talent and songwriting skill. His voice is whiskey-edged velvet, tender and tough at the same time.
His latest CD, Everything Changes delivers the same kind of live energy and raw vocals that keep his fans coming back for more. As a songwriter, J Edwards ( and yes, his first name is J) wears his heart on his sleeve, and while his tunes aren’t necessarily autobiographical, he makes us believe they are.
The 11-track disc opens with a rockin’ Delbertesque number called “Junkyard of Love,” a song about a guy talking about a girl who’s maybe worked her way through most of the guys at the bar, and by the end of the tune, he’s going to get himself a “mechanic to start working out the kinks in his heart.” He’s ready to move on.
“Carole Ann” is a hauntingly sweet tune of life on the road. Edwards then picks up the pace for “Can’t Get Over You.”
“Lover’s Moon Over South Carolina,” is a road trip anthem with a special yen for heading home to South Carolina. It was voted in the top three at the Songwriter’s and Musician’s Guild of South Carolina songwriting competition.
Let yourself give in to “Skye.” Crank it up and go. It’s just plain fun.
Track seven, “Baby,” is going to take your breath away and fill you full of longing and sweetness until you just ache all over. This is that whiskey velvet I was talking about. Add to that, guitar work by Charles Funk … well, just wait for the goose bumps. They comin’.
Without even giving you time to recover, “If I Had To” is up next and it’s another tune that strips away the layers as you listen to it. Good stuff. Also called “Conner’s Song,” J was inspired by Columbia’s Chris Conner, lead singer for Sourwood Honey and later The South, who passed away in late 2007 of lung cancer.
“Use Me” takes the emotion from the previous two ballads and channels it into a rockin’ romp for the whole band.
Edwards’ songwriting ability is evident on “Catch Me,” a song of love and leaving and lamenting the contradiction of it all. The road warrior longs to stay but feels the constant pull toward the highway. As with most all J Edwards’ songs, powerful vocals combine with solid band performances.
All songs were written and performed by J Edwards (acoustic guitar). Other players include Charles Funk (acoustic, rhythm, lead guitars); Hesham Mostafa (bass guitar); Greg Bickley (keys on “Catch Me” and “Lover’s Moon;” Buddy Parker (keys on “Junkyard of Love;” Evan Simons (drums); Mike Marchbanks (drums on “If I Had To” and “Can’t Get Over You;” Erin Bates (background vocals on “Junkyard of Love”).
At this writing, the J Edwards Band has begun work on a new blues CD. They expect to be back in the studio by early March and hope for a summer release.
Rev. Bubba D Liverance
Let My Peoples Dance (2008)
Label: Ain’t Bad Records
You know you’re in for some fun when the guy’s name is Rev. Bubba D Liverance, his band is called the Cornhole Prophets and the CD is titled Let My Peoples Dance. What you may not know until you pop it into the player however is the topnotch songwriting, musicianship and production quality of this disc.
Take your cues from the title, and get ready to boogie. Opener and title track, “Let My Peoples Dance” is a cleverly written shout out to the masses to take a minute to feel the beat and shake your bootie. “That’s What You Do” is a very danceable soul tune penned by Bubba and Sam Hankins. According to the good reverend, it was written in the same mold as “Double Shot of My Baby’s Love” by the Swingin’ Medallions where the writer’s so affected by a girl, her lovin’ made him turn flips, shout out loud and finally made him pass out. In this tune, her lovin’ has him “speaking in tongues.”
The swingin’ “My Baby’s a Seafood Platter”(Rusty McHugh/Wild Okra Music ASCAP) is one of just two not written or co-written by Rev. Bubba. “Ain’t No American Idol” is the rev’s initiation of a backlash against American Idol. He thinks they should have better finalists. In “Mo Better,” Bubba’s affection for 60s soul and R&B is apparent. “If You Can’t Shag” is one of the most popular – and controversial – tracks on the CD. The full lyric is “If you can’t shag, get your ass out of Carolina.” It was reportedly inspired by an eighth grade South Carolina requirement to learn the State dance – the shag. Can that be true? If you can’t shag, you can’t graduate from eighth grade?
By the way, the horns are none other than the Memphis Horns: Wayne Jackson (trumpet); Donnie Sanders (sax); and Carl Hale (trombone). Yep, the very same Memphis Horns from Sam & Dave’s “Soul Man” and Elvis’s “Suspicious Minds.” Musicians include Bubba D Liverance (guitar/vocals); Sam Hankins (guitar/vocals) Jane Rhodes (keyboard/vocals); Jonas Schultz (keyboard/saxophone/vocals); Austin Solomon (bass) Russell Garner (drums/percussion). DB. April 7, 2009.
A version of this post will be published in the entertainment section of Coast Magazine and Alternatives NewsMagazine, issue April 9 – 23, 2009, p. 26.