DarielB – Flying Under the Radar

CD Pick: ‘Nasty Man’ by Rickey Godfrey

Posted in CD Picks by darielb on November 21, 2010

I’ve been following Rickey Godfrey’s music for quite some time now – since I first heard his soulful rendition of Dan Penn’s “Smoke Filled Room,” which is on his Once In a Lifetime Love CD (2006).  With this new recording, Rickey brings the same raw vocals to the table, but with a focus on the blues. Nasty Man (Serenity Hill 2010)is a self-produced CD and Rickey took the opportunity to showcase his considerable talents: songwriting, vocals, guitar and keyboard.

This CD is just plain fun, more fun, in fact, than it is “nasty.”  I’m hard pressed to choose a favorite tune, but there are a few that stand out for me. The opener, “I Want Me a Nasty Woman,” co-written with Richard Fleming, is classic Godfrey: sharp, edgy lyrics and gutsy vocals punctuated by masterful guitar stylings. Guitar buffs will love the ending. And, by the way, that’s Shaun Murphy from Little Feat AND Bob Seger’s Silver Bullet Band singing backup with Rickey.

“Don’t Argue In the Kitchen” is kind of jazzy, a fast-paced cautionary tale, funny as all getout. Flo and Joe go out to a club, drink a little too much, some chick starts flirting with Joe, and by the time the couple get home again, Flo is still all riled up and pops him over the head with an assortment of cooking paraphernalia. Dangerous place, that kitchen!

Rickey Godfrey at the Rusty Nail, Wilmington, N.C. Nov. 12, 2010

Johnny Jones” is a little bit of a departure. It’s full of sadness at the Oct. 2009 passing of Godfrey’s friend – and Nashville’s guitar legend – Johnny Jones.  After moving from Chicago to Nashville in the early 60s, Jones was working as a studio musician, when R&B icon Ted Jarrett took him under his wing and actually taught him how to read music. He began working at a club called the New Era Club. During this time, a young Jimi Hendrix used to sit in with him, anxious to absorb Jones’ lowdown blues sound. There was said to be a guitar face-off between the two at some point, and if you can find an old copy of The Tennessean (one of the 2003 issues), you can read about it for yourself. Not surprisingly, Rickey’s guitar solos pay homage to the guitar giant, including some of Jones’ own blues guitar licks.

“Let’s Get Busy,” track ten on Nasty Man (co-written with Doug Jones), is a sexy dance tune and it features N.Y. soul singer Angel Rissoff along with Rickey on lead vocals. Their voices are exciting and energetic. They combine with Godfrey’s keyboard and guitar solos plus an unexpected saxophone riff by former Delbert McClinton player Don Wise to deliver a tune that blows me away every time I hear it.

I’m a live music junkie, and I love that one of the resounding themes of this recording is its unrelenting energy. But, even with everything going on – gusty vocals, searing guitar, solid rhythm, flashy keyboards –the players never drown each other out.  Nasty Man is a strong Gotta Have.

Godfrey plays all guitar and keyboard parts. Other players include: drums – George Perelli (Michael McDonald, Larry Gatlin), Michael Grando and Tez Sherrard (Edwin McCain); bass Franklin Wilkie (Marshall Tucker Band), Doug Seibert; saxophone – Don Wise (Delbert McClinton); synthetic horns – Rickey Godfrey; background vocals – Shaun Murphy (Little Feat, Silver Bullet Band),  Ronnie Godfrey (Marshall Tucker Band, Virgil), Kim Morrison, Angel Rissoff (Little Isidore & the Inquisitors, Kenny Vance & the Planotones).


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