Maurice John Vaughn

Blues hounds, get ready to howl. It’s almost time for the 2012 Lowcountry Blues Bash, now in its twenty-second year. This ten-day celebration of America’s oldest music form is being held in and around Charleston, S.C. from Wednesday, Feb. 8 through Tuesday, Feb. 21.

According organizer Gary Erwin aka Shrimp City Slim, this year’s Bash promises us “insanely eclectic programming.”  Not just eclectic, insanely eclectic. Wow! At last count, there will be some 59 blues acts putting on 100 different shows and 25 different venues.

Gary filled me in on a little history about what has become a hugely popular blues club crawl, “Our first year, 1991, was one venue only with four acts.  It was my decision in 1992 to take the Blues Bash out into the clubs and other venues around town.  This was, in part, a response to complaints I had received from various venues, when I was writing for the Post & Courier [Charleston's daily], that the City never involved privately-operated small entertainment businesses during its several annual events.  My reasoning was that, if we involve all these clubs and other venues in the Blues Bash, perhaps it would lead them to book blues on a more regular basis.”

For blues fans, it’s an opportunity to experience first hand, performers and musicians from not just the Carolinas, but also Chicago, Detroit, New York, Florida, the Mississippi hill  country and then some.

For the most part, the shows are low-dough, as Gary calls them, $10 or less. And a good number are completely free.

Maurice John Vaughn’s show is going to be killer. The Chicago giant (sax/guitar/keyboards/vocals) has some special guests on the bill with him: trombonist B.J. Emery, Grammy winner  Donald Ray Johnson, Holle Thee Maxwell (Remember “Only When You’re Lonely,” (1965)?

Nick Moss

Nick Moss & the Flip Flops are going to be one of the most exciting shows of the whole festival. With the release of Privileged (Blue Bella Records/2010), Moss used his traditional roots blues background as a jumping off point to explore new waters. The result is searing blues-infused rock  that ignites the atmosphere and the audience.

Also packing a big Chicago punch, from the Muddy Waters and Willie Dixon bands and Magic Slim & the Teardrops is guitarist John Primer. As the title of his Atlantic Recording says, he’s “The Real Deal.”

Eddie Shaw & the Wolf Gang. Gary Erwin reminds us that “. . . this is one of the last great Chicago blues bands. Eddie Shaw, Howlin’ Wolf’s bandleader, has kept the group together since Wolf’s passing in 1975.” This is a no-brainer.

From Fort Lauderdale, Joey Gilmore brings old school stylings and soulful vocals to the stage. I’ve never seen him before, so you can bet I’ll catch one of his shows.

A new twist for 2012 is the Take You Downtown Blues Series at the Mad River Bar & Grille, a great old brick church that’s a pub now. All shows are $10, cash only and seating is first come, first served. Shows include Bobby Radcliff, Rich DelGrosso & Jonn Del Toro Richardson; Eddie Shaw & the Wolf Gang; Shrimp City Slim & Swamp Pop Shelly; Jarekus Singleton Mississippi Blues Band; John Primer & Shrimp City Slim; Robert Lighthouse and the Blues Buckets; and Daddy Mack Blues Band.

John Primer

My Gotta Go Picks
The headliners notwithstanding, here are my Gotta Go picks:
• J Edwards Band. Love this guy. He’s representing Lowcountry Blues Society at the International Blues Challenge (IBC) in Memphis.
• Sarah Cole & the Hawkes. I saw Sarah at a Women in Blues Festival in Wilmington, N.C. Who says girls can’t play guitar?
• Rickey Godfrey. Another act you have to catch live. Blind from birth, he burns up the keyboard and his Telecaster.
• Gail Storm. A true interpretor of classic blues and jazz, with a little boogie piano thrown in, just for fun.
• Juke Joint Johnny. The lowcountry’s own harmonica wizard. And Drew ain’t bad either!
• Scissormen. Over the top and outta the box! Raw and rockin’. Don’t miss these guys.

To really know which acts will get your mojo working, you want the complete schedule in front of you. So, for venues, times and acts,  download your own flyer.

More live music in 2012!

So for this piece, I’ll be focusing on my own local stomping grounds, from the port city of Wilmington in North Carolina and North Myrtle Beach on down to Pawleys Island in South Carolina. There’s a lot coming up, so check the websites for even more shows.

Mike Taylor and the Holiday Band will kick off Mid-Winter S.O.S. at Duck's on Wed., Jan 11.

I can’t talk about local live music without mentioning Mid-Winter S.O.S. in the Ocean Drive section of North Myrtle Beach. It’s just begun and runs through Sunday, Jan. 15. The S.O.S. lounges (Fat Harold’s, Duck’s, Spanish Galleon, O.D. Beach Club, O.D. Café and O.D. Arcade) feature deejays for the dancers, but a few will have live music, too. They all require S.O.S. cards for entry. Cost is $35, but you get a lot of band for your buck.

Fat Harold’s  will be packed with shaggers day and night. Don’t miss lunch with Lulu. She’s one of the best cooks around and you can tell anyone I said so! Thursday, Jan. 12, it’s Craig Woolard Band. This’ll be crowded, but worth an elbow to the ribs. There’s a reason he’s taken home CBMA Male Vocalist of the Year award nine times. On Friday, Jan. 13, it’s Coastline time with Jim Quick at 1 p.m. Nashville songwriter and producer Gary Nicholson says, “Jim Quick sings read deal country-soul from the heart. He’s combined all the ingredients of his influences to cook up a tasty stew that keeps you coming back for more.” Sea-Cruz takes the stage at 1 p.m. on Jan. 14. Sax, keyboards and top-notch vocals make this trio a powerhouse. Closing out Mid-Winter, the always popular bluesy Castaways will be at the Fat Man’s on Sunday, Jan. 15 starting at 4 p.m.

Also part of Mid-Winter, but minus the required S.O.S. card are 2001 Nightclub  in Myrtle Beach and on the Waterway in North Myrtle, Boom Boom’s Raw Bar.

2001 Nightclub is really three venues in one: Club Touch, Starlight Room and Next Level, which is where the live bands play. Show time is 9:30 p.m. You can see Jim Quick & Coastline, Jan. 12; Craig Woolard Band, Jan. 13 and on Jan. 14, the Magnificents, known for their powerful vocals. Cover charge is $10, $5 with S.O.S. card.

If you haven’t been to Boom Boom’s yet, check it out. The large deck overlooks the Waterway and brand new chef, Ronnie Stevens, is getting rave reviews. Tommy Black Band (beach and blues) is scheduled for 7 p.m. on Jan. 14. On Jan. 21,  Fat Jack Band brings their brand of soul funk to the beach. Rick Strickland Band, playing all-original tunes, is set for Jan. 28. With Rick’s impressive four-octave range and female vocalist Lesa Hudson, this group has built a huge following throughout the Carolinas.
Hip Pocket Band is also coming to town. Equal parts fun and talent, they’ll be at Duck’s on Jan. 21. Love these guys!

Over at the Boathouse , we switch gears a little bit. Through Feb. 23, they’re hosting Coyote Country Fridays with cohost Coyote 106.5 FM. They’ll be featuring local and regional country artists. Sure to be a blast.

Kono Lounge in Myrtle Beach  is another hip, loungy kind of night club. Nathan Stallings with Bono Productions has been bringing some terrific acts in. This coming Friday, Jan. 13, get set for Michael “Pops” Stallings, one of the area’s top blues guitarists. On Feb. 3, The Sharks featuring blues mama Jaynie Trudell will be front and center. Feb. 17  will be the long-awaited reunion show for the Kerry Michaels Band, the must-see blues band on the Grand Strand during the 1990s. The show will feature original members Kerry Michaels (vocals), Michael “Pops” Stallings (lead guitar); Bryant Bowles (drums);  Mike Stevens (bass) and James “Uncle Grub” Thornberg (keyboards).

Juke Joint Johnny, shown here in September at the 2011 Summer's Last Blast Blues Festival in Piedmont, S.C. (Photo Mary Anne McLaurin)

Mama Rue’s in Pawleys Island , hands-down my favorite place for blues on the Strand, has a full line up for us. Friday, Jan. 13, she’s bringing in Juke Joint Johnny and Bad Drew Baldwin. If you’ve never seen Johnny on harp, you’ve never experienced blues harmonica. On Jan. 20, Pastor, Pastor is bringing their unusual blues act back to Mama Rue’s. Guitarist Jeff Liberty, whose style has been described as “fuel-injected blues that lights a fire under your seat,” performs Jan. 28. On Feb. 3, My Buddy Todd aka Todd Roth will perform his last show at Mama Rue’s before moving his life and career to Austin, Texas. Definitely one to see. Feb. 17 will be a big night, too. N.C. bluesman Matt Walsh is the featured act, another one not to miss. No cover charge and the best Jamaican food this side of Nassau! Tell Chef Eric I said hey! Then get you some jerk pork (and a Howlin’ Wolf  from Marrue at the bar). You’ll be hooked on the food, the friends and the music!

Another of my favorite blues joints is the Rusty Nail , home to the Cape Fear Blues Society weekly jams. On Jan. 14, the Nail will host a Pave the Road to Memphis fundraiser for Randy McQuay and Lawyers Guns & Money, winners of the Cape Fear Blues Challenge who will represent the blues society at the IBC in Memphis later this month. Both acts will perform. YEAH!

I can’t write about live music along the Grand Strand without talking about the nonprofit South By Southeast Music Feasts at the historic Myrtle Beach Train Depot. They bring in nationally known acts that often don’t come to this area otherwise. Tickets are $20 for annual series supporters and $25 for nonmembers. The Barefoot Movement, a group of musicians blending  Southern-style bluegrass improv with modern acoustic jazz and rock influences, is scheduled for Feb. 18. Randall Bramblett Band is set for March 10. They meld rock, blues, jazz and soul with razor-sharp songwriting to produce a sound unlike anyone else. It doesn’t get any better than this.

Chuck Leavell (Rolling Stones, Allman Brothers) says, “Randall is in my opinion the most gifted & talented southern singer-songwriter musicians of the past several decades.”

Every one of these shows is worth your time and money. Hope to see you live music junkies out and about!

It’s being hosted by a nonprofit group called LifeQuest Military Transitions. According to this press release all costs for veterans are covered – travel, accommodations and the music camp. The LifeQuest mission is to empower military service members with life skills that enable personal growth, promote leadership development and facilitate positive change during transition into, through and beyond military life.

Austin, Texas-based musician Darden Smith will direct the songwriting program. A longtime singer/songwriter, Smith recorded

The multi-faceted musician also created Songs From the Big Sky, a documentary for BBC Radio in 2006 about the relationship between Texas songwriters and the state’s landscape. (photo courtesy dardensmith.com)

his first album in 1986 (Native Soil/ Redi-Mix Records; re-released on Watermelon Records in 1992), which, had some big-name backup players – Lyle Lovett, Nanci Griffith. Since then, he’s recorded 12 others, including Sunflower (2002/Dualtone Music Group), which included the hit single “After All This Time,” a tune that reached No. 3 on the BBC Radio 2 chart. His most recent is Marathon (2010/Darden Music). Quoting his website, “Combining a sophisticated austerity with philosophical heft, Marathon undoubtedly reflects a veteran songwriter in transition, a truth-seeker willing to lay bare the hardships of scrutinizing his place in the modern world. Smith admits: ‘I couldn’t have written these songs 20 years ago.’”

Part of Darden Smith’s place in the modern world is clearly helping his fellow humans find their own place, and he most definitely has an affinity for those in the service of their country. This songwriting retreat is a follow-up to an earlier camp held in July 2011 in Edwards, Colo. Smith gathered a team of pros who worked with a group of participating service men and women.  Their songs were performed at a September 11 concert at the World Arena in Colorado Springs, and are now available on iTunes. After the January 2012 music camp, the songs from both camps will be compiled on a new album. Proceeds from the recordings will benefit the veterans and help fun LifeQuest programs.

If you know anyone who would benefit from this (or maybe someone in a position to volunteer or help our financially), please pass this along.

Music Camp Website (Go to EVENTS tab)

About LifeQuest Military Transitions

LifeQuest Military Transitions (LQMT) is a 501(c) (3) nonprofit organization based in Colorado Springs, Colo. that provides a unique variety of transition programs for military members and their families. Participants come from all over the United States.  LifeQuest’s programs center on physical rehabilitation & training, adventure activities, and life skills development for wounded, ill and injured veterans. The program emphasis is always to empower participants through choice, challenge and change.

SaRon Crenshaw with the red Gibson. (Photo courtesy SaRonCrenshaw.com)

South By Southeast, the not-for-profit music organization in Myrtle Beach will open its 2012 season with a show appealing to blues lovers, soul fans and R&B aficianados alike.

Powerhouse guitarist SaRon Crenshaw will be bringing his electrifying band all the way from the Big Apple to the Myrtle Beach Train Depot on Jan. 7, 2012.

SxSE board member Charles Newell, who is also the bass player for the Chainsaws, a local band, says, “I saw SaRon in Greenwich Village in October. We started working right then on getting him for a SxSE Music Feast.”

He’s a sought-after performer at spots like B.B. King Blues Club & Grill in New York and Terra Blues, a blues saloon in the heart of Greenwich Village.

Touring often, Crenshaw delights audiences with his fiery guitar licks and soulful vocals. The show at the intimate historic Train Depot will offer a unique opportunity to get an up-close look at his Gibson “Lucille” model guitar, which was signed by B.B. King himself.

Peter “Blewzzman” Lauro, who reviews live performances and recordings for the comprehensive online music resource, Mary4Music.com had this to say about SaRon Crenshaw in a review of the 2006 Red Bank Jazz & Blues Festival in New Jersey:
“All music festivals have their surprises and this fest ws no different. There’s always that one act that you catch, get awed by, then think to yourself… ‘who in hell is this/” Well that such person was SaRon Crenshaw. At one of the auxilisary stages SaRon drew one of the largest and more enthusiastic crowds of the event (at leas of the acts I saw). Until now, this regular player at New York City’s Terrablues was virtually unknown to me a lot of the crowd. However, there was no way he was allowing his unfamiliarity to become an obstacle. SaRon stood up there and played like he was Buddy Guy (except, unlike Buddy, he finished all of his songs) and the crowd was a bunch of his fans. At one point he even came down into the crowd, strolling between revelers, while playing the guitar with his tongue. This guy was a hell of a showman and more importantly, a hell of a bluesman. That’s SaRon Crenshaw, keep your eyes and ears open for him.”

Members of the SaRon Crenshaw Band include Crenshaw (guitar and vocals); Junior Mack (guitar and vocals); Al Levy (bass and vocals); Barry Harrison (drums and vocals); and Bob Schlesnger (keyboards).

Music Feasts are $25 per person ($20 for SxSE annual concert series members). Reservations are suggested. Send an email to southxsoutheast@aol.com, with the number of tickets and your zip code. They’ll put you on their A list.

Along with an incredible night of music, your ticket includes a potluck dinner and dessert, wine and beer from New South Brewery, soft drinks and coffee. Feasting begins at six o’clock and the music starts at seven. Or sevenish.

Since South by Southeast is an IRS-approved 501(c) (3) organizations, memberships and donations are wholly tax deductible.
The Myrtle Beach Train Depot is located at 851 Broadway in Myrtle Beach. For more information about the SxSE event,log onto www.southbysoutheast.org.

Various Artists

Various Artists
Goodbye Babylon (Box Set)
Dust-to-Digital (2003)
Sacred music grown in the hot southern dust. One of the greatest box sets ever put together. Makes me proud to be a southern boy.
From Amazon: Goodbye Babylon is a 6 CD gospel reissue collection. 5 CDs contain 135 songs from 1902-1960 and the 6th disc is comprised of 25 sermons recorded between 1926-1941. Also included is a 200 page book complete with Bible verses, lyric transcriptions, and notes for each recording, plus over 200 illustrations … Sound restoration and mastering by Airshow Mastering, the team that restored the “Anthology of American Folk Music” (Smithsonian Folkways, 1997), and won a Grammy® for their work on “Screamin’ and Hollerin’ the Blues: The Worlds of Charley Patton” (Revenant, 2002). – Reverently packed in raw cotton and housed in a deluxe 8″ x 11″ x 2.5″ cedar box. Notes and essays by musicologists and scholars, including several Grammy® winners. – Contributors include Lynn Abbott, David Evans, Ray Funk, Anthony Heilbut, Kip Lornell, Luigi Monge, Paul Oliver, Opal Louis Nations, Bruce Nemerov, Guido van Rijn, Ken Romanowski, Tony Russell, Doug Seroff, Dick Spottswood, Warren Steel, David Tibet, Gayle Dean Wardlow, and Charles Wolfe.

Bill Withers
Still Bill (DVD)
New Video Group (2011)
Still Bill (documentary)- I know this is not technically a record. It’s a film….and I haven’t even seen this yet, but I can still safely say that it’s a must watch. Bill Withers is one of the great songwriters of our time and a true artist intent on steering his own wheel. Ride on, Bill……ride on.

Brian Rutenberg
brianrutenbergart.com
Brian Rutenberg. Before he grew into his true self as a sought after N.Y.C. artist, this Myrtle Beach boy was a drummer. I knew his picks would be cool, but I had no idea how cool.

Youssou N’Dour
The Lion
Virgin Records (1989)
My first recommendation is the fabulous Senegalese singer/ percussionist Youssou N’Dour whom I saw in concert at S.O.B’s in N.Y.C. in the late 80s. His soulful rhythm, smooth ambient keyboards (somewhat akin to Brian Eno), and musical voice are fabulous. I enjoy many of his albums but my favorite is 1989’s The Lion (Virgin), songs like “Bes” and “My Daughter (Sama Doom)” make me smile. His music also takes me back to the blissful days when I met my wife Katie. Now we have children and they like the same songs.
Robert Shaw & the Robert Shaw Festival Singers
Rachmaninoff Vespers
Teldec (1990)
If you want to be transported through music then Rachmaninoff’s Vespers are a must. They are sublime. Go somewhere you can be totally alone for an hour, shut the lights off, and listen. I also enjoy just looking out a window (preferably on a gloomy day) or a long drive with this recording. My ongoing studies of the late Canadian pianist/philosopher Glenn Gould involve long stretches of driving in Ontario and the Vespers are a perfect soundtrack. Another listening place might be the parking area that juts out onto the beach by the Cherry Grove Inn around 54th/55th Ave N. in North Myrtle Beach. I am not sure if it is still there but watching the surf to these Vespers would be nice; “Bless The Lord,” “O My Soul” and “O Serene Light” reaffirm what it means to be a human being.
Robert Plant
Principle of Moments
Rhino (1983)
Finally I am listening a lot to Robert Plant’s second solo album Principle of Moments released the year I graduated from high school in Myrtle Beach,. Although the drums are not Bonham they are played by Phil Collins with some heavy down beat and the unadorned clarity that Bonham mastered. There was a remaster released in 2007 which I play in my studio a lot. “In the Mood” and “Big Log” are still fabulous songs.
Clair DeLune
bluesmoonradio.blogspot.com
Clair DeLune. Music historian, writer and professor, producer and host of Blues Moon Radio … I love all that Clair does, and I’m grateful for her participation.
Various Artists
Bummed Out Christmas
Rhino (1989)
The Bummed Out Christmas CD seems an odd choice because it is topically dreary, not cheery. As the host of Blues Moon Radio, I talk with a number of people each year who are not upbeat about the holidays. Contrary to popular belief, blues music does not depress one, it is one’s “ticket” for climbing out of a pit of despair and can improve your mood, so I recommend Bummed Out Christmas to all.
This CD fits the bill two ways: For most, it is an over-the-top array of songs so wildly absurd they are laugh out loud funny, thus a welcome break from standard treacly holiday pap . For those in a deep funk, it has been known to provide a balanced perspective – even if only from a “misery loves company” or “someone has it worse” perspective. The most requested holiday song on my radio show each year is “Christmas In Jail,” by the Youngsters, which begins with the ominous “I was in the wrong lane, feeling no pain.” It acts as an ersatz public service announcement – reminding us of our duty to not drive if drinking, but entertains as it informs.
Demetria Taylor
Bad Girl
Delmark (2011)
Bluesman Eddie Taylor’s much-covered classic, “Bad Boy,” is given a twist by his daughter, Demetria. Eddie Taylor, who was not as well-known – yet was integral to the Chicago scene as Jimmy Reed’s guitarist – introduced Reed to that now-famous shuffling style. Eddie Taylor has influenced more people than know his name, including his own children, three of whom work actively in Blues music. This year Taylor’s daughter, Demetria, rises above the “Blues Legacy” tag with her vocals on “Bad Girl,” earning her place in the blues world as a powerhouse of song. It is nominated for Best CD of 2011 Lunie Award on Blues Moon Radio.
Laurence “Luckyman” Beall
The Huntsville Sessions
Turbine Incredible (2010)
Last but not least… indeed this is most likely my absolute favorite find of the year…
Laurence Luckyman Beall is the freshest, most invigorating artist to appear on Blues Moon Radio this year. His work is highly energized and he puts more sound out solo than most artists with backing bands. Sporting the Western-style dress and duck-tail hairstyle that emerged when Rock’n’Roll was young, Beall (pronounced ‘Bell’) is serious about his folio of Blues, Rockabilly and Americana that would get any mule kicking in its stall. Those who see Beall perform are impressed and charmed by his vibrant personality as well as his intense musicianship, comprised of powerful lyrics and melody, and a unique approach to electric chicken-pickin’ guitar work. His CD is the most commented on by Blues Moon Radio’s listeners this year… and many have become enthusiastic converts to “the Luckified.”
Sam Hannaford
SouthBySoutheast.org
Co-founder and past president of the nonprofit South By Southeast music organization, this guy is responsible for making top drawer music (and musicians) accessible to the Carolina coast. Love you, Sam.
Otis Redding
The Definitive Collection (4CD set)
Rhino Records (1993)
After having half finished reading “Bill Graham Presents,” the autobiography/biography of Bill Graham, I realized that he and I have two things in common. One, we have helped put on music concerts (not that I put myself 1000th in the same company of this great Rock Icon), and number two, that Otis Redding was our favorite all time performer. Unlike Bill, I never had the pleasure of seeing Otis live, but this four-CD set is a very definitive representation of his short but significant contribution to popular music – helping to bridge the racial and music genre gaps that existed until the 1960s.

There are outtakes of many of his more popular tunes that I find very interesting, as well as enjoying the songs heard on the radio back in the day and now. He is timeless. Unfortunately, he died the week after he recorded “(Sittin’ On) The Dock Of The Bay” and never got to hear his biggest hit on the radio.

Laura Nyro
Laura Nyro Live At The Bottom Line
Cypress Records (1989)
Always a huge fan of Laura, I was gifted this out of production CD a few years ago (it’s available on eBay). Known mostly for her pop hits recorded by The Fifth Dimension, Barbra Streisand, Blood Sweat and Tears and others such as “Stoney End,” “Wedding Bell Blues,” “And When I Die,” and “Stoned Soul Picnic,” Laura’s emotive piano playing and vocal phrasing have always touched me. This is a great example live of those qualities as exemplified on songs such as “The Confession,” “My Innocence/Sophia” and “Broken Rainbow.” She also mixes in R&B covers of “High Heeled Sneakers,” “La La Means I Love You” and “Up On The Roof.” She has influenced many singers.
The Duhks
The Duhks
Sugar Hill Records (2005)
Having seen these multi-talented young musicians at Merlefest in 2005, I bought their CD immediately. I have rarely been as impressed by a group that offered so much a diversity and cultural music mixture. Running the gamut from Celtic, Portuguese, Cajun, Rock N’ Roll, as well as Black Sea Island Gospel music, these folks tear it up. Jesse Havey’s vocals are unreal, along with fellow band member Tania Elizabeth. “Death Came A Knockin”, “Dance Hall Girls”, “True Religion”, and “ The Waggoner’s Lad” stand out to me especially. I am unsure if they are still playing, but even with a change in membership, they put on a great show.
Mike Taylor
HolidayBand.com
Singer/songwriter and band leader for Southern soul/variety group, the Holiday Band, Mike has lived and breathed music since he was a kid. One of my faves.
Chicago
What’s It Gonna Be Santa?
Rhino (2003)
Twenty of the best arrangements of Christmas songs ever. Every song has a unique flavor, the changes are NOT traditional and the playing and singing is off the chart. I don’t usually like Christmas CDs much, but I love this one. You must listen two or three times to get used to the vibe.

Pete Lauro
Mary4Music.com
Peter “Blewzzman” Lauro reviews blues and indie music at Mary 4 Music, and I’m always happy to listen to his picks. Yeah!
Hubert Sumlin
Healing Feeling
Blacktop Records (1990)
This is one of my favorite CDS simply for the fact that it introduced me to the person who has become my all time favorite blues vocalist – Darrell Nulisch. While at a friend’s house, he happened to be playing the CD and when the song “Play It Cool” came on I was blown away. I asked him to let me see the CD jacket and bought it the very next day. It’s almost 12 years old and I still listen to it very regularly.

Roomful Of Blues
That’s Right
Alligator Records (2003)
You could easily put on a three-day blues festival just using the great musicians that have been a part of Roomful of Blues over the last 40 or some years. Through it all, the band has remained in tact and is still headlining blues festivals themselves. This is one of my favorite discs of theirs because it featured the debut of Mark DuFresne who I feel gave them back the punch they needed in a front man. This is real good stuff.
Downchild Blues Band
I Need A Hat
Linus Entertainment (2009)
This is another one of those bands that’s been around forever. As the story goes, they were supposedly the influence for the Blues Brothers. This Canadian band, led by Donny Walsh, has more discs out than I care to count, and this – their latest release – is one of their very best.

Pat Patterson
LargeTime.net
The S.C. Internet radio station owner (along with wife Robin) of Large Time Network is one of my favorite deejays, and has a wonderful collection of obscure music.
Rickey Godfrey
Nasty Man
Serenity Hill (2010)
There is a lot of good music available right now, but I have three favorites. I am a Rickey Godfrey fan through and through. His latest release Nasty Man is “Nasty” but in a good way!! Rickey is so talented and his talent shines with each song from his vocal ability to his amazing guitar licks. This CD should be in your collection right now. I feel that only Rickey could get away with the title “Nasty Man” and then on top of that pull off “I Want Me a Nasty Woman,” one of my favorites, as well as “When You’re Cool (The Sun Shines All The Time).” Only Rickey can make the blues shine.
Craig Woolard Band
Main Street People
Sisbro (2010)
Also on my list is Main Street People on Sisbro Records from The Craig Woolard Band. Beside the obvious songs on the charts “Your Love Is Amazing,” “Impossible,” and “Beachaholic,” there are some other great songs as well. “Soulful Kind Of Love,” I’m In Love With The Girl Next Door” and “Main Street People.” You can’t go wrong with this CD.

Dip Ferrell & the Truetones
Along For the Vibe
Arcade Records (2011)

The new CD from Dip Ferrell And The Truetones, Along For The Vibe, on Arcade Records is awesome. The shag tunes “Hey Girl” and “Love Monkey” will make you lay some leather down on the dance floor. Two beautiful ballads “Baby Come Back To Me” and “I’m Way Too Proud” have great story lines, yes songs do have story lines and these certainly do. Not only that, but the music is fabulous and makes for a true slow dance.

Stuff the stockings with these CDs and you can’t go wrong!!! I simply put them in and hit “Play” without skipping to the next song, and that to me makes a great “Stocking Stuffer” and CD. Merry Christmas and happy listening!!!!
Sheila Cain
www.live365.com/stations/
beaumontblues
Head honcho and radio host for Blues City Radio, Sheila Cain found time to give us her faves, despite the fact that she was in the middle of moving her life to Denver. Check out her radio show.
Karen Lovely
Still The Rain
Pretty Pear Records (2011)
Being a blues enthusiast, my number one pick this Christmas has to be Karen Lovely’s latest CD, Still The Rain. I’ve listened to every track over and over again and still can’t get enough.

The title track “Still The Rain” is contemporary blues at it’s very best. But don’t overlook one single song on this CD. Every one is a winner in my book. Tracks from this CD have kept Karen Lovely at the number one spot on Blues City Radio for the past eight weeks straight with no signs of slowing down.
Karen Lovely has the potential to become a blues phenom!
Etta James
Icon
Geffen Records (2010)
I don’t generally buy “collection” type CDs, but Etta James is the exception to the rule on this one.
Her CD Icon, a 12-song sampler spans the best of Etta over her illustrious career.

From “At Last” to “I’d Rather Go Blind,” this CD highlights her many hits. There’s just something about her sultry, soulful voice and lyrics that takes one on a musical journey that is hard (if not impossible) to duplicate. This is a “Must Have” CD for anyone who loves, blues, soul and R&B. I guarantee it will not be re-gifted.

Thanks to all my pals who contributed here. Happy Holidays to all!

Yonrico Scott. Check out the drum head.

On Jan. 31, 2010 drummer Yonrico Scott was onstage at the L.A. Convention Center for the pre-telecast award ceremony of the GRAMMYs accepting the award for Best Contemporary Blues Album for the Derek Trucks Band. On Dec. 3, he and his own Yonrico Scott Band will hit the stage right here at the historic Myrtle Beach Train Depot for the final South By Southeast Music Feast of the year.

This is why I “Trust the Frog.” The folks at SxSE spend their time scouring the road not taken by the mainstream bandwagon to bring us some of the country’s most respected singer/songwriters and musicians, most of whom aren’t household names to the public, but are well-known to other musicians.

Yonrico Scott is one of this talented community of musicians. He played with the Derek Trucks Band from about 1993, he guesses, until the band went on hiatus late last year so Derek could form a new band with wife Susan Tedeschi. He has toured with Peabo Bryson and Earl Klugh and played with greats like Stevie Wonder, Ray Charles, Aretha Franklin, Freddie Hubbard and the Allman Brothers Band.

In a telephone interview earlier this week, we talked about his GRAMMY experience, his career and his passion for art.
As a child, Scott was greatly influenced and encouraged by his mother Ruth Naomi Scott, a gospel singer who grew up in Detroit. She was a member of the Detroit Harmonettes and it sounds like she cherished her son’s budding talent.

“She was truly an angel,” says Scott, “always encouraging me. I started playing drums at about five years old.”

By age 14, he was studying with Motown drummer George Hamilton. At 15, he recorded “Message From the Ghetto” with The Sons of Truth for the Stax gospel subsidiary.

He went to college in Kentucky, studying drums and percussion with Chicago Symphony classical percussionist Patrick Arnold and classical timpanist Dave Davenport. Scott says his classical study is the reason that he is the drummer he is today.

Upon moving to Atlanta, Ga. in the late seventies, he immediately met guitarist George Greer, who turned him on to the neighborhood arts center. Connections made there helped get his foot in the door of the jingle business, and he started doing work for Atlanta mogul Ted Turner.

Sometime in 1992 or 1993, he had a call from Col. Bruce Hampton (Government Mule) with the news that then 14-year-old Derek Truck was looking for a drummer.

“The first time I heard him play, I knew this was big,” Scott tells me. “The first year we played 320 dates. We did all the small cities.
“A lot of people don’t know, but when I started with DTB, we were doing bebop … all sorts of stuff.”

Because DTB took a regular hiatus, Scott was able to play with his own Yonrico Scott Band, which includes Kofi Burbridge, keys/flute; Todd Smallie, bass; Mace Hibbard, sax; Nick Johnson, guitar; Laura Reed, special guest vocalist; and many other players on different occasion. YSB’s debut release, Turning the Corner, a 12-track disc of mainly jazz instrumentals, was released in January, 2004.

His first touring job was with Peabo Bryson and Patti LaBelle. Through Bryson, he connected with Broadway and spent several years working in productions such as The Wiz, Dream Girls, Les Misérables and Five Guys Named Mo, which featured the music of Louis Jordan.

What was it like getting a GRAMMY, I wanted to know.

“I loved it. I walked the red carpet with Ringo Starr on my right and Mick Fleetwood on my left.”

He continues, “Derek had been really cool with it, said he wasn’t going to go, so I said that I was thinking of going and Derek asked me to represent the band, so then it was official. I was going!”

Scott kept a GRAMMY journal about the experience that’s posted on the Derek Trucks Band site. It’s a great read. I love how much fun he’s having with it. Here’s just a snippet:

“I get the award and I’m trying to stay composed on stage but in my mind, I’m freaking out! A lot of the other winners seemed so relaxed when we won, but for me it was just such a huge deal. I had this Grammy in my hand and I was just blown over! Right now I still think it’s a dream and I just wonder when the dream will be over.”

Throughout all Scott’s stories (and he has many), I was impressed by just how jaded he is not. He is embracing every experience that comes along.

“After I got the Grammy, I decided I wanted to do another album. I started in March of 2010, and I finished about three months ago.”

Scott is very excited about the new recording, Be In My World, which he expects will be released in early 2012. Players include his sister Ronda Scott (they sing a duet); vocalist Laura Reed from South Africa; Derek Trucks; DTB bass player Todd Smallie; DTB vocalist Mike Matteson, jazz guitarist Grant Green Jr.; virtuoso bassist Joseph Patrick Moore; singer/songwriter Diane Durrett and more. Three of the tracks are written by funk keyboardist Reverend Oliver Wells. Scott himself wrote several tracks.

“There are 15 original songs and a cover of Buddy Miles’ “‘dem Changes,’” Scott says, “and this is the first recording with me as a lead vocal. So that’s me on vibes, percussion, singing and drums. The album, titled Be In My World is a tribute to Buddy Miles.”
Art is another passion for Yonrico Scott. “I was always drawing and making stuff, as a kid.”
Once again, his mother was at his side, encouraging him.

“‘You can have the upstairs. Do whatever you want,’ my mother told me,’ Scott laughs.

“Then, when I started with Derek, we were making up set lists and I started drawing on them. We would make color copies for the band, and then for some of the fans. And now they’re collected all over the place.”

Scott is a prolific artist, painting drum heads for his many gigs along with paintings.

“I’m not a trained artist,” he continues. “I’m making a statement . . . One of my biggest idols was Howard Finster [legendary Atlanta folk artist known for his 1980s album designs for groups like R.E.M. and Talking Heads].  He told me to keep doing my own stuff. Don’t take lessons. So that’s what I do.”

This past October, when  visionary artists Alex and Allison Gray, known for their psychodelic album covers, came to Atlanta’s inaugural Visionary Arts Fair, Yonrico was part of it.

“I was playing drums, wearing a crazy suit. I loved it.”

So much is  happening for Yonrico Scott these days, it’s  hard to keep up.

“The biggest thing for me right now is a new band. I’ve been invited to join the Royal Southern Brotherhood with Cyril Neville, Devon Allman and MIke Zito with Charlie Wooton on bass. The band will debut at the New Orleans Jazz Fest, and we have bookings through Dec. 2012.”

Joining Scott at the SxSE gig will be jazz keyboardist Buzz Amatto, guitarist Randy Honea, and Ted Peccio on bass. Something tells me this is going to be a genre-jumping adventure, and I can’t wait.

Music Feasts are $25 per person ($20 for SxSE annual concert series members). Reservations are suggested. Send an email to southxsoutheast@aol.com, with the number of tickets and your zip code. They’ll put you on their A list.

The Myrtle Beach Train Depot is located at 851 Broadway in Myrtle Beach. For more information about the SxSE event,log onto www.southbysoutheast.org.

Note: I loved talking with Yonrico Scott, and there’s a lot more to the interview, so I plan to organize my notes and add some of them to this blog post soon.

Lawyers Guns & Money, winners in the band category

Randy McQuay Wins Solo/Duo Category, Lawyers Guns & Money Take Band Competition

I was fortunate enough to be one of the judges for the Cape Fear Blues Challenge this year. It was a lot of fun and I got to hear some great music. If you ever get a chance to attend or be a part of one of these, jump at the chance. This particular event (and there were hundreds going on all over the country) was held on Saturday, Nov. 5 at one of my favorite little blues joints, the Rusty Nail in Wilmington, N.C.

We judged two categories: solo artist or duo act and band (three or more players). Each act played a 20-minute set.

There were several different judging criteria. First, and most heavily weighted was blues content, which I found strange because it’s so subjective. Everyone has his or her own interpretation of what is and isn’t blues ( never mind what is and isn’t good), so this can really vary. Vocals were the next criteria. How did the act’s vocals tell the story; did they evoke emotion? And did the background vocals reinforce the message?

Third criteria was talent. In the case of a group or duo, did the instrumental skills of each musician combine well and contribute to the act’s “sound”? Was the band tight? Was the tempo steady. Did the instruments complement the vocals or drown them out? It’s not enough to lay down searing riffs during your solo.

Also important for the competition was originality. Although the Cape Fear Blues Society allows cover tunes in the contest, players are not rewarded for exact renditions. Instead we looked for the act that could take a well-known blues tune and make it their own. To give you an example, during the course of the evening, three of the nine acts we were judging performed Robert Johnson’s “Crossroads Blues,” so you can understand the significance of originality as it extends beyond songwriting to arrangement and performance, as well.

The fifth and final criteria was stage presence. Did the performers connect with the audience? Were they playing music or putting on a show? Musicianship has to come first, but musicians can’t perform in a vacuum. They have to sell themselves – and their music – to the audience.

Six acts competed in the solo/duo category and three sought the title in the full band category, which was defined as having three or more players. Solo acts were Jim Ashley, Lakota John, Jim Nelson, Reverend Sam, Spider Mike Bochey and Randy McQuay. The competing bands were The Treblemakers, Lawyers Guns & Money and Chicken Head Blues Band.

Randy McQuay and Lawyers Guns & Money took the wins so they’re headed to Memphis for the 2012 IBC. Yeah!

Wilmington's Randy McQuay won in the solo/duo category

Born and raised in Charlotte, N.C., Randy McQuay told me he started playing drums in middle school. He joined the school jazz band and later the marching band. He has been a full time musician since the age of 17. After attending UNCW and studying drums and percussion, he now plays keyboard, guitar, harmonica and handles vocals, too. “I paid my way through college singing, so that’s what I’ve done,” he told me in a telephone interview this week.

McQuay is the talented front man for the Wilmington, N.C. group, RootSoul Project. He’s working on his sixth album now, and has recorded in Nashville, Tenn. as well as locally at Audio Genesis in Wilmington.

His group has a standing gig at the Duck & Dive in downtown Wilmington every Tuesday night and then travels around the region Thursday through Sunday. They’ve been building quite a fan base in Myrtle Beach and Murrells Inlet.

At the Blues Challenge, Randy was hugely engaging on harp and acoustic guitar. Until he played, it seemed the young Lakota John might score the most with his electric guitar, but in the end, he came in second.

Winning the band category, Lawyers Guns & Money is a Greensboro-based four-piece band with Terry VunCannon on guitar and lap steel, Stan Atwell on bass and vocals, Mike Thomas on drums and vocals and Rob Slater on guitar. The band was founded by VunCannon about three years ago. As for the band name, yes they’re fans of Warren Zevon, but there’s more.

“Stan the bass player is a lawyer, I have the guns, and Mike is an engingeer, so he’s the money,” laughs VunCannon
“These are guys I’d played with in pickup bands around Greensboro. We worked up a cover show first,” Terry tells me a few days after the Blues Challenge.

The band likes playing blues, but also performs R&B, classic rock and some Motown tunes. They have a new CD titled Make Up Another Lie (Sept. 2011) and a single, “Hook Line & Sinker” on the Cashbox Roadhouse Blues Top 40 chart. The CD includes a bonus track with blues legend Bob Margolin.

Terry says, “Bob Margolin has been so good to us; we do a cover of his “She and the Devil” on the CD. We switched it up, did it fast … different tempo.  Bob says he’d rather see a band do an original version and not just a cover.

“On the CD cut, I played acoustic dobro and Bob played acoustic guitar and sang. It meant a lot to me and the band.”

Lawyers Guns & Money has opened or shared the stage with Margolin three times. They’ve also opened for Candye Kane.

“I had a chance to sit down with Candye’s amazing guitarist Laura Chavez,” Terry tells me. “Our road guitars, Strats, are the same year, and we both use the Fender Tex Mex pickups.”

I can hear him grinning. This is a guy who definitely likes what he does.

Vuncannon pens the band’s original tunes, often with girlfriend Janice Gatton Hamby. He’s been writing songs and doing session work since about 1980.

Lawyers Guns & Money is a big hit with dance crowds, playing venues like Sixth & Vine in Winston-Salem, Churchills in Greensboro, Papa Mojo’s Roadhouse in Durham and the Zion Caribbean Bar & Grille in Greensboro and the Opra House Saloon in Asheboro. Thursday nights, Terry tells me, they run the open blues jam at Zion.

From the first moment this band started performing “Make Up Another Lie,” they captured my undivided attention. Vocals by bassist Stan Atwell are anything but off-the-shelf, and throughout the set, the band was tight and polished.

I have to say, all three of the bands delivered topnotch performances. The Treblemakers put on a super rockin’ blues show, and Rick Tobey’s Chickenhead Blues Band brings puts out a great vibe.

So, a big thank you to Lan Nichols and Cape Fear Blues Society for inviting me and Sandy Williams, owner of the Rusty Nail for giving us such a great place to play!

Lesa Hudson and Rick Strickand will perform their original material at the Showcase.

In a telephone interview last week, Stallings said, “My main goal is to give musicians an opportunity to put their stuff out there. This Thanksgiving weekend showcase demonstrates the diversity of talent in this area. The opening set will be by Rick Strickland and Lesa Hudson. Both talented songwriters and vocalists, they perform all original music.”

A sessions player for more than 20 years, Strickland has recorded with and opened for some of the country’s top acts, including Carl Perkins, Todd Rundgren and B.B. King. He has also produced over 50 albums in a wide range of musical styles. His work has made it to the silver screen (Modern Love/1990) He has composed two productions for the Columbia City Ballet. He has performed at the Georgia Music Awards, backing Tommy Roe, Joe South and Ray Stevens. He was Billy Joe Royale’s musical director for three national tours. Rick is well-known for his four-octave vocal range as well as his considerable skills on the guitar.

Hudson is a lead vocalist and keyboard player in the Rick Strickland Band. She grew up in Darlington, S.C. as part of a musical family, with church as its centerpiece. She went on to front her own Lesa Hudson Band, a contemporary Christian group. Hudson produces and performs several Christian-based showcases, and has also performed with the classic rock band, 3 Day Funk with Keith Hamrick (formerly with Billy Joe Royal and the Atlanta Rhythm Section)

The second act will be award-winning songwriter and entertainer Jaynie Trudell. Based in Myrtle Beach, this traveling troubadour is a national recording artist and plays multiple instruments, including piano, guitar, harmonica and dulcimer. Known for her original material, she was honored with the 2010 Blues Entertainer of the Year by the Grand Strand Blues Society.

Electrifying guitarist “Kid” Drew Voivedich has the third time slot. If you frequent the Sunday night blues jams at Jay’s in Little River, S.C., you already know how he and Pops tear it up. Kid Drew’s rockin’ blues is edged with funk, country, jazz, pop and even reggae. Never a dull moment with the Kid.

Closing act will be Pops, himself, possibly the most respected blues guitarist on the Grand Strand – not to mention jazz, pop, R&B and then some.

Michael "Pops" Stallings

He’s played with the Clovers, Percy Sledge, B.J. Thomas and many more. If you’re a local, you may have seen him with singer Kerry Michaels.

Playing guitar is practically in his blood. Michael Stallings got his first guitar at eight years old and his first electric guitar at ten. “I remember my mom playing ‘Ballad of Jesse James’ with a butter knife. She never did like the slide,” he laughs.

Nathan Stallings is Michael’s son, and proud papa can’t wait for the event at Kono. “We’re going to put on a great show,” says Michael.  “I hope everyone stays around to jam with me.

On Facebook, look for Kono Lounge (Myrtle Beach) or Michael Stallings (Little River)

General admission tickets cost $15 each, and include the free food. VIP tickets, at $20 each, also include a free drink and access to the club’s upstairs VIP section, which features special seating and a private bar.

Kono Lounge is located at 1901 N. Kings Hwy. in Myrtle Beach, S.C. For more information, contact Nathan Stallings at 843-224-7748 or via email at BonoProductions@yahoo.com.

Allie and Molly at the Endless Summer Festival in North Myrtle Beach, S.C., Oct. 29. (Photo Jim Allen)

Sweet Goodbyes to Molly & a Warm Welcome for Allie

Until Oct. 27, Allie Privette was a dental assistant in Raleigh, N.C. Now she’s the girl in the band.

Twenty-seven-year-old Allie has the challenging job of filling the shoes and monumental vocal vacancy left when singer  and

The new Sea-Cruz! (Photo Jim Allen)

five-time CBMA Female Vocalist of the Year, Molly Askins decided it was time to leave Sea-Cruz, the powerhouse trio known for their impeccable vocals, high energy and musicianship that doesn’t quit.

Sea-Cruz will be 11 years old in March 2012. Originally a duo (vocalist Molly Askins and Dino Fair on keyboards and vocals), they hit the ground running with “You Bring Out the Boogie In Me,” “Baby I’m Yours/Make Me Your Baby” and “Shake Your  Hips” – all in 2002.

Thomas “Butch” Barnes added his saxophone and vocal muscle to the group in April 2005. Together they have stormed the Carolina Beach Music Academy (CBMA) awards, earning in a single year (2007), Instrumentalist of the Year (Dino), Male Vocalist of the Year (Butch) and Female Vocalist of the Year (Molly).

When Molly announced she would leave Sea-Cruz so she and husband Lyle could focus on their family life, there was a collective groan throughout Ocean Drive and beyond as legions of fans were forced to imagine life without Molly.

Enter Allie, stage right.

I had a chance to talk to Allie and the rest of the band after the Endless Summer Festival in North Myrtle Beach on Oct. 29. The show was a great send-off for Molly and also gave the fans a chance to meet Allie.

Dino pretty much summed it up when he said, “We’re all sad Molly is leaving. We’re a family and we’re going to miss her. But this is an opportunity to refresh.”

As a family, Sea-Cruz has had more than their share of storms to weather. In the past 24 months, Molly fractured her foot. Dino

Allie’s personality fits Sea-Cruz like a glove! (Photo Jim Allen)

discovered he had diabetes. Butch’s high blood pressure resulted in a torn retina and then he had to undergo a hip replacement.

Whew!

But, certainly the most devastating event was the unexpected death on Feb. 9 of Jimmy Lathan, the band’s live engineer and best friend a band could have.

“I hate that Allie won’t know Jimmy,” Molly tells me, and it’s a conversation stopper. So, yes, I can appreciate the need to refresh.

“We haven’t had the time to record and freshen our song list,” Dino continued. “And that’s what we’re going to do with Allie.

“We want to keep our working model. We’re a happy, fun-loving, kick-butt little three-piece band.”

Molly jumps in here and interjects, “And Allie has what it takes! You can’t help but love her!”

“Thank God she’s got a work ethic. We’ve only had a day of rehearsal, and she jumped right in … 20 songs at TJ’s Nightlife in Raleigh last night …” Dino adds.

Allie is quick to credit Molly with helping her with lyrics.

Molly comes back with,”Gotta help my sistah! “It really helps that we’re friends.”

Butch agreed, “This is a family situation, and the most important thing is to keep it positive.

“I think it shows how strong Sea-Cruz is,” says Molly, in response to Butch. “And people love Sea-Cruz. They’ve been coming out in droves to see us.”

It’s true. During the Endless Summer show, folks were waiting in line to give Molly a hug and welcome Allie to the group.

On stage, Allie was a dynamo. She lit into  Journey’s “Don’t Stop Believing,” leaving no doubt that she’s got the vocal chops to carry on.

In a phone interview last week, she told me knew many of the musicians through her significant other, Stephen Pachuta, trumpet player for the Embers. She’s been singing informally with Band of Oz, Jim Quick & Coastline, the Embers, Craig Woolard Band, Atlantic Groove, Tim Clark Band and the Fantastic Shakers.

Speaking about Allie, Butch said, “There’s an explosion waiting to happen, and some people are going to be amazed!”
According to Dino, and who would know better, the band will be recording Allie as soon as possible. Until then, their most recent CD is Rockin’ the Boat, a dual-disc project featuring 32 tunes (plus two bonus tracks) recorded live during assorted shows and cruises.

You can bet that Allie Privette will be rockin’ the boat – Sea-Cruz style – and I can’t wait to see the splash!

Getting back to Molly, I know I speak for a lot of folks when I say, we’re going to miss your smiling face. Don’t be a stranger. We’ll be looking for you to sit in once in a while.

And what does Molly say?

“I’m sad about leaving, but I’m a lot less sad because of Allie. I’m happy to leave it to a friend. (And yes, I’ll be back for the Sea-Cruz reunion!)

Exit Molly. Stage right.

Read more about Sea-Cruz on their website, which will be undergoing a sea change of its own, as soon as the band can slow down long enough to do it. This is just one of the many behind-the-scenes changes (and challenges) that Sea-Cruz faces as they change out vocalists. My guess is that they will handle it with grace and smiles, and the band will continue to kick butt.

Mama Rue - MIstress of the Bar!

entertainment. Anticipating a chilly month, Marrue Bleau – who owns the club along with chef Eric Sutherland – says the acts will be playing their original music indoors on the dining room stage.

On Wednesday, Nov. 2, Jeff Liberty, blues guitarist and vocalist from Columbia, S.C. will take the stage at 7:30 p.m.  Liberty’s scorching guitar and vocals have earned him numerous awards and fans from New Orleans to Columbia.

Thursday night, Nov. 3 is open mic blues jam at Mama Rue’s. Singer/songwriter Jennifer Price will be bringing her outlaw blues to town for the event.

Husband and wife duo Pastor Pastor are on the roster for Friday, Nov. 4. They start at 8 p.m.  Their religion is the blues.

Popular local guitarist and vocalist George Davis is booked for Wed. Nov. 9. Start time is 7:30 p.m.

On Friday night, Nov. 11 at 8 p.m., it’s piano man Shrimp City Slim. AKA Gary Erwin, he’s known throughout the Carolinas for his lowcountry blues and original tunes. His latest recording (August 2011) is Highway 77: Lowcountry Blues Live (Vol. 2).

Jazz jam band Spontaneous Combustion will be firing up Mama Rue’s on Saturday, Nov. 12. They start at 8 p.m.

Back by popular demand on Wednesday, Nov. 16 will be singer/songwriter Drew Baldwinwith his 100-year-old Larson made Dyer

Juke Joint Johnny on harp. (Photo Mary Anne McLaurin)

harp guitar and Juke Joint Johnny on blues harp. They start at 7:30 p.m.

Guitarist Jeff Liberty is set to be back at Mama Rue’s again on Friday, Nov. 18 starting at 8 p.m. If you missed him earlier in the month, you have another chance to hear this Columbia boy.

If rockin’ blues is your thing, mark your calendar for Saturday, Nov. 19 when The Strays hit the stage at 8 p.m.

On Wednesday, Nov. 23, at 7:30 p.m. Jerry “Cool” Edwards is back at Mama Rue’s for a night of sweet and jazzy blues.

For the day after Thanksgiving, on Friday, Nov. 25, entertainment will be provided by Pawleys own My Buddy Todd. Blues, blues and more blues. Start time is 8 p.m.

On Saturday, Nov. 26, Spontaneous Combustion once again lights up the night, starting at 8 p.m. and on Wednesday, Nov. 30, at 7:30 p.m. diners will be treated to the sounds of blues guitarist and vocalist George Davis.

J Edwards has a voice that you have to hear to believe. (Photo Mary Anne McLaurin)

The month of Dec. will bring some new excitement to Pawleys Island with Columbia, S.C.-based J Edwards at Mama Rue’s on Friday, Dec.2, along with Brian “Husky” Burnette  on Saturday, Dec.3.  Matt Walsh is scheduled for Feb. 17.

Mama Rue’s is open Tuesday through Saturday, from 4 p.m. to 11 p.m. on weekdays, 4 to 12:30 Friday nights, and 4 to midnight on Saturdays. Times are approximate. They serve authentic Jamaican dishes along with a full selection of cocktails. Make sure you try the Howlin’ Wolf! Mama Rue’s Blues Garden is located at 9737 Ocean Hwy. in Pawleys Island. For information, call 843-235-3853. Website: www.mamarues.com. For daily updates, “like” Mama Rue’s on Facebook.