DarielB – Flying Under the Radar

Music Camp Helps Veterans Tell Their Stories In Song

Posted in Music Stories by darielb on December 31, 2011

I came across a press release that I thought was kind of interesting and cool, so I thought I’d share the info with you.  There’s a songwriting camp for veterans, sort of a transitional program that’s specially designed for members of the military and their families. It’s taking place Jan. 19-23, 2012 in Colorado Springs, Colo.

It’s being hosted by a nonprofit group called LifeQuest Military Transitions. According to this press release all costs for veterans are covered – travel, accommodations and the music camp. The LifeQuest mission is to empower military service members with life skills that enable personal growth, promote leadership development and facilitate positive change during transition into, through and beyond military life.

Austin, Texas-based musician Darden Smith will direct the songwriting program. A longtime singer/songwriter, Smith recorded

The multi-faceted musician also created Songs From the Big Sky, a documentary for BBC Radio in 2006 about the relationship between Texas songwriters and the state’s landscape. (photo courtesy dardensmith.com)

his first album in 1986 (Native Soil/ Redi-Mix Records; re-released on Watermelon Records in 1992), which, had some big-name backup players – Lyle Lovett, Nanci Griffith. Since then, he’s recorded 12 others, including Sunflower (2002/Dualtone Music Group), which included the hit single “After All This Time,” a tune that reached No. 3 on the BBC Radio 2 chart. His most recent is Marathon (2010/Darden Music). Quoting his website,Combining a sophisticated austerity with philosophical heft, Marathon undoubtedly reflects a veteran songwriter in transition, a truth-seeker willing to lay bare the hardships of scrutinizing his place in the modern world. Smith admits: ‘I couldn’t have written these songs 20 years ago.’”

Part of Darden Smith’s place in the modern world is clearly helping his fellow humans find their own place, and he most definitely has an affinity for those in the service of their country. This songwriting retreat is a follow-up to an earlier camp held in July 2011 in Edwards, Colo. Smith gathered a team of pros who worked with a group of participating service men and women.  Their songs were performed at a September 11 concert at the World Arena in Colorado Springs, and are now available on iTunes. After the January 2012 music camp, the songs from both camps will be compiled on a new album. Proceeds from the recordings will benefit the veterans and help fun LifeQuest programs.

If you know anyone who would benefit from this (or maybe someone in a position to volunteer or help our financially), please pass this along.

Music Camp Website (Go to EVENTS tab)

About LifeQuest Military Transitions

LifeQuest Military Transitions (LQMT) is a 501(c) (3) nonprofit organization based in Colorado Springs, Colo. that provides a unique variety of transition programs for military members and their families. Participants come from all over the United States.  LifeQuest’s programs center on physical rehabilitation & training, adventure activities, and life skills development for wounded, ill and injured veterans. The program emphasis is always to empower participants through choice, challenge and change.

SaRon Crenshaw: SxSE Brings Blues With a Soul Twist to the Beach

Posted in Live Performance Previews/Reviews by darielb on December 16, 2011

SaRon Crenshaw with the red Gibson. (Photo courtesy SaRonCrenshaw.com)

South By Southeast, the not-for-profit music organization in Myrtle Beach will open its 2012 season with a show appealing to blues lovers, soul fans and R&B aficianados alike.

Powerhouse guitarist SaRon Crenshaw will be bringing his electrifying band all the way from the Big Apple to the Myrtle Beach Train Depot on Jan. 7, 2012.

SxSE board member Charles Newell, who is also the bass player for the Chainsaws, a local band, says, “I saw SaRon in Greenwich Village in October. We started working right then on getting him for a SxSE Music Feast.”

He’s a sought-after performer at spots like B.B. King Blues Club & Grill in New York and Terra Blues, a blues saloon in the heart of Greenwich Village.

Touring often, Crenshaw delights audiences with his fiery guitar licks and soulful vocals. The show at the intimate historic Train Depot will offer a unique opportunity to get an up-close look at his Gibson “Lucille” model guitar, which was signed by B.B. King himself.

Peter “Blewzzman” Lauro, who reviews live performances and recordings for the comprehensive online music resource, Mary4Music.com had this to say about SaRon Crenshaw in a review of the 2006 Red Bank Jazz & Blues Festival in New Jersey:
“All music festivals have their surprises and this fest ws no different. There’s always that one act that you catch, get awed by, then think to yourself… ‘who in hell is this/” Well that such person was SaRon Crenshaw. At one of the auxilisary stages SaRon drew one of the largest and more enthusiastic crowds of the event (at leas of the acts I saw). Until now, this regular player at New York City’s Terrablues was virtually unknown to me a lot of the crowd. However, there was no way he was allowing his unfamiliarity to become an obstacle. SaRon stood up there and played like he was Buddy Guy (except, unlike Buddy, he finished all of his songs) and the crowd was a bunch of his fans. At one point he even came down into the crowd, strolling between revelers, while playing the guitar with his tongue. This guy was a hell of a showman and more importantly, a hell of a bluesman. That’s SaRon Crenshaw, keep your eyes and ears open for him.”

Members of the SaRon Crenshaw Band include Crenshaw (guitar and vocals); Junior Mack (guitar and vocals); Al Levy (bass and vocals); Barry Harrison (drums and vocals); and Bob Schlesnger (keyboards).

Music Feasts are $25 per person ($20 for SxSE annual concert series members). Reservations are suggested. Send an email to southxsoutheast@aol.com, with the number of tickets and your zip code. They’ll put you on their A list.

Along with an incredible night of music, your ticket includes a potluck dinner and dessert, wine and beer from New South Brewery, soft drinks and coffee. Feasting begins at six o’clock and the music starts at seven. Or sevenish.

Since South by Southeast is an IRS-approved 501(c) (3) organizations, memberships and donations are wholly tax deductible.
The Myrtle Beach Train Depot is located at 851 Broadway in Myrtle Beach. For more information about the SxSE event,log onto http://www.southbysoutheast.org.

Stocking Stuffers: Music Picks to Keep You Groovin’ Through 2012

Posted in CD Picks by darielb on December 12, 2011

This is the time of year when I sit back with a nog while all y’all tell me what’s cool, hip and happenin’ in the world of music. This year I’ve asked a mix of special friends to share their music picks with us. Enjoy!
Mike Farris
mikefarrismusic.com
Mike Farris. Intense, talented and on fire, this Nashville boy is one of the most exciting performers I’ve ever seen. Check out his picks.
Various Artists
Cosimo Matassa Story (import)
Proper Box (2007)
If you really want to take a peek inside the birthing room of rock & roll, look behind this curtain! Between the 40s and 60s everything that came out of New Orleans was recorded at Cosimo’s J&M Studio. Way too often overlooked, New Orleans and her amazing musicians laid the foundation for rock & roll. If you don’t like this box set, we can never be friends.

Various Artists
Goodbye Babylon (Box Set)
Dust-to-Digital (2003)
Sacred music grown in the hot southern dust. One of the greatest box sets ever put together. Makes me proud to be a southern boy.
From Amazon: Goodbye Babylon is a 6 CD gospel reissue collection. 5 CDs contain 135 songs from 1902-1960 and the 6th disc is comprised of 25 sermons recorded between 1926-1941. Also included is a 200 page book complete with Bible verses, lyric transcriptions, and notes for each recording, plus over 200 illustrations … Sound restoration and mastering by Airshow Mastering, the team that restored the “Anthology of American Folk Music” (Smithsonian Folkways, 1997), and won a Grammy® for their work on “Screamin’ and Hollerin’ the Blues: The Worlds of Charley Patton” (Revenant, 2002). – Reverently packed in raw cotton and housed in a deluxe 8″ x 11″ x 2.5″ cedar box. Notes and essays by musicologists and scholars, including several Grammy® winners. – Contributors include Lynn Abbott, David Evans, Ray Funk, Anthony Heilbut, Kip Lornell, Luigi Monge, Paul Oliver, Opal Louis Nations, Bruce Nemerov, Guido van Rijn, Ken Romanowski, Tony Russell, Doug Seroff, Dick Spottswood, Warren Steel, David Tibet, Gayle Dean Wardlow, and Charles Wolfe.

Bill Withers
Still Bill (DVD)
New Video Group (2011)
Still Bill (documentary)- I know this is not technically a record. It’s a film….and I haven’t even seen this yet, but I can still safely say that it’s a must watch. Bill Withers is one of the great songwriters of our time and a true artist intent on steering his own wheel. Ride on, Bill……ride on.

Brian Rutenberg
brianrutenbergart.com
Brian Rutenberg. Before he grew into his true self as a sought after N.Y.C. artist, this Myrtle Beach boy was a drummer. I knew his picks would be cool, but I had no idea how cool.

Youssou N’Dour
The Lion
Virgin Records (1989)
My first recommendation is the fabulous Senegalese singer/ percussionist Youssou N’Dour whom I saw in concert at S.O.B’s in N.Y.C. in the late 80s. His soulful rhythm, smooth ambient keyboards (somewhat akin to Brian Eno), and musical voice are fabulous. I enjoy many of his albums but my favorite is 1989’s The Lion (Virgin), songs like “Bes” and “My Daughter (Sama Doom)” make me smile. His music also takes me back to the blissful days when I met my wife Katie. Now we have children and they like the same songs.
Robert Shaw & the Robert Shaw Festival Singers
Rachmaninoff Vespers
Teldec (1990)
If you want to be transported through music then Rachmaninoff’s Vespers are a must. They are sublime. Go somewhere you can be totally alone for an hour, shut the lights off, and listen. I also enjoy just looking out a window (preferably on a gloomy day) or a long drive with this recording. My ongoing studies of the late Canadian pianist/philosopher Glenn Gould involve long stretches of driving in Ontario and the Vespers are a perfect soundtrack. Another listening place might be the parking area that juts out onto the beach by the Cherry Grove Inn around 54th/55th Ave N. in North Myrtle Beach. I am not sure if it is still there but watching the surf to these Vespers would be nice; “Bless The Lord,” “O My Soul” and “O Serene Light” reaffirm what it means to be a human being.
Robert Plant
Principle of Moments
Rhino (1983)
Finally I am listening a lot to Robert Plant’s second solo album Principle of Moments released the year I graduated from high school in Myrtle Beach,. Although the drums are not Bonham they are played by Phil Collins with some heavy down beat and the unadorned clarity that Bonham mastered. There was a remaster released in 2007 which I play in my studio a lot. “In the Mood” and “Big Log” are still fabulous songs.
Clair DeLune
bluesmoonradio.blogspot.com
Clair DeLune. Music historian, writer and professor, producer and host of Blues Moon Radio … I love all that Clair does, and I’m grateful for her participation.
Various Artists
Bummed Out Christmas
Rhino (1989)
The Bummed Out Christmas CD seems an odd choice because it is topically dreary, not cheery. As the host of Blues Moon Radio, I talk with a number of people each year who are not upbeat about the holidays. Contrary to popular belief, blues music does not depress one, it is one’s “ticket” for climbing out of a pit of despair and can improve your mood, so I recommend Bummed Out Christmas to all.
This CD fits the bill two ways: For most, it is an over-the-top array of songs so wildly absurd they are laugh out loud funny, thus a welcome break from standard treacly holiday pap . For those in a deep funk, it has been known to provide a balanced perspective – even if only from a “misery loves company” or “someone has it worse” perspective. The most requested holiday song on my radio show each year is “Christmas In Jail,” by the Youngsters, which begins with the ominous “I was in the wrong lane, feeling no pain.” It acts as an ersatz public service announcement – reminding us of our duty to not drive if drinking, but entertains as it informs.
Demetria Taylor
Bad Girl
Delmark (2011)
Bluesman Eddie Taylor’s much-covered classic, “Bad Boy,” is given a twist by his daughter, Demetria. Eddie Taylor, who was not as well-known – yet was integral to the Chicago scene as Jimmy Reed’s guitarist – introduced Reed to that now-famous shuffling style. Eddie Taylor has influenced more people than know his name, including his own children, three of whom work actively in Blues music. This year Taylor’s daughter, Demetria, rises above the “Blues Legacy” tag with her vocals on “Bad Girl,” earning her place in the blues world as a powerhouse of song. It is nominated for Best CD of 2011 Lunie Award on Blues Moon Radio.
Laurence “Luckyman” Beall
The Huntsville Sessions
Turbine Incredible (2010)
Last but not least… indeed this is most likely my absolute favorite find of the year…
Laurence Luckyman Beall is the freshest, most invigorating artist to appear on Blues Moon Radio this year. His work is highly energized and he puts more sound out solo than most artists with backing bands. Sporting the Western-style dress and duck-tail hairstyle that emerged when Rock’n’Roll was young, Beall (pronounced ‘Bell’) is serious about his folio of Blues, Rockabilly and Americana that would get any mule kicking in its stall. Those who see Beall perform are impressed and charmed by his vibrant personality as well as his intense musicianship, comprised of powerful lyrics and melody, and a unique approach to electric chicken-pickin’ guitar work. His CD is the most commented on by Blues Moon Radio’s listeners this year… and many have become enthusiastic converts to “the Luckified.”
Sam Hannaford
SouthBySoutheast.org
Co-founder and past president of the nonprofit South By Southeast music organization, this guy is responsible for making top drawer music (and musicians) accessible to the Carolina coast. Love you, Sam.
Otis Redding
The Definitive Collection (4CD set)
Rhino Records (1993)
After having half finished reading “Bill Graham Presents,” the autobiography/biography of Bill Graham, I realized that he and I have two things in common. One, we have helped put on music concerts (not that I put myself 1000th in the same company of this great Rock Icon), and number two, that Otis Redding was our favorite all time performer. Unlike Bill, I never had the pleasure of seeing Otis live, but this four-CD set is a very definitive representation of his short but significant contribution to popular music – helping to bridge the racial and music genre gaps that existed until the 1960s.

There are outtakes of many of his more popular tunes that I find very interesting, as well as enjoying the songs heard on the radio back in the day and now. He is timeless. Unfortunately, he died the week after he recorded “(Sittin’ On) The Dock Of The Bay” and never got to hear his biggest hit on the radio.

Laura Nyro
Laura Nyro Live At The Bottom Line
Cypress Records (1989)
Always a huge fan of Laura, I was gifted this out of production CD a few years ago (it’s available on eBay). Known mostly for her pop hits recorded by The Fifth Dimension, Barbra Streisand, Blood Sweat and Tears and others such as “Stoney End,” “Wedding Bell Blues,” “And When I Die,” and “Stoned Soul Picnic,” Laura’s emotive piano playing and vocal phrasing have always touched me. This is a great example live of those qualities as exemplified on songs such as “The Confession,” “My Innocence/Sophia” and “Broken Rainbow.” She also mixes in R&B covers of “High Heeled Sneakers,” “La La Means I Love You” and “Up On The Roof.” She has influenced many singers.
The Duhks
The Duhks
Sugar Hill Records (2005)
Having seen these multi-talented young musicians at Merlefest in 2005, I bought their CD immediately. I have rarely been as impressed by a group that offered so much a diversity and cultural music mixture. Running the gamut from Celtic, Portuguese, Cajun, Rock N’ Roll, as well as Black Sea Island Gospel music, these folks tear it up. Jesse Havey’s vocals are unreal, along with fellow band member Tania Elizabeth. “Death Came A Knockin”, “Dance Hall Girls”, “True Religion”, and “ The Waggoner’s Lad” stand out to me especially. I am unsure if they are still playing, but even with a change in membership, they put on a great show.
Mike Taylor
HolidayBand.com
Singer/songwriter and band leader for Southern soul/variety group, the Holiday Band, Mike has lived and breathed music since he was a kid. One of my faves.
Chicago
What’s It Gonna Be Santa?
Rhino (2003)
Twenty of the best arrangements of Christmas songs ever. Every song has a unique flavor, the changes are NOT traditional and the playing and singing is off the chart. I don’t usually like Christmas CDs much, but I love this one. You must listen two or three times to get used to the vibe.

Pete Lauro
Mary4Music.com
Peter “Blewzzman” Lauro reviews blues and indie music at Mary 4 Music, and I’m always happy to listen to his picks. Yeah!
Hubert Sumlin
Healing Feeling
Blacktop Records (1990)
This is one of my favorite CDS simply for the fact that it introduced me to the person who has become my all time favorite blues vocalist – Darrell Nulisch. While at a friend’s house, he happened to be playing the CD and when the song “Play It Cool” came on I was blown away. I asked him to let me see the CD jacket and bought it the very next day. It’s almost 12 years old and I still listen to it very regularly.

Roomful Of Blues
That’s Right
Alligator Records (2003)
You could easily put on a three-day blues festival just using the great musicians that have been a part of Roomful of Blues over the last 40 or some years. Through it all, the band has remained in tact and is still headlining blues festivals themselves. This is one of my favorite discs of theirs because it featured the debut of Mark DuFresne who I feel gave them back the punch they needed in a front man. This is real good stuff.
Downchild Blues Band
I Need A Hat
Linus Entertainment (2009)
This is another one of those bands that’s been around forever. As the story goes, they were supposedly the influence for the Blues Brothers. This Canadian band, led by Donny Walsh, has more discs out than I care to count, and this – their latest release – is one of their very best.

Pat Patterson
LargeTime.net
The S.C. Internet radio station owner (along with wife Robin) of Large Time Network is one of my favorite deejays, and has a wonderful collection of obscure music.
Rickey Godfrey
Nasty Man
Serenity Hill (2010)
There is a lot of good music available right now, but I have three favorites. I am a Rickey Godfrey fan through and through. His latest release Nasty Man is “Nasty” but in a good way!! Rickey is so talented and his talent shines with each song from his vocal ability to his amazing guitar licks. This CD should be in your collection right now. I feel that only Rickey could get away with the title “Nasty Man” and then on top of that pull off “I Want Me a Nasty Woman,” one of my favorites, as well as “When You’re Cool (The Sun Shines All The Time).” Only Rickey can make the blues shine.
Craig Woolard Band
Main Street People
Sisbro (2010)
Also on my list is Main Street People on Sisbro Records from The Craig Woolard Band. Beside the obvious songs on the charts “Your Love Is Amazing,” “Impossible,” and “Beachaholic,” there are some other great songs as well. “Soulful Kind Of Love,” I’m In Love With The Girl Next Door” and “Main Street People.” You can’t go wrong with this CD.

Dip Ferrell & the Truetones
Along For the Vibe
Arcade Records (2011)

The new CD from Dip Ferrell And The Truetones, Along For The Vibe, on Arcade Records is awesome. The shag tunes “Hey Girl” and “Love Monkey” will make you lay some leather down on the dance floor. Two beautiful ballads “Baby Come Back To Me” and “I’m Way Too Proud” have great story lines, yes songs do have story lines and these certainly do. Not only that, but the music is fabulous and makes for a true slow dance.

Stuff the stockings with these CDs and you can’t go wrong!!! I simply put them in and hit “Play” without skipping to the next song, and that to me makes a great “Stocking Stuffer” and CD. Merry Christmas and happy listening!!!!
Sheila Cain
http://www.live365.com/stations/
beaumontblues
Head honcho and radio host for Blues City Radio, Sheila Cain found time to give us her faves, despite the fact that she was in the middle of moving her life to Denver. Check out her radio show.
Karen Lovely
Still The Rain
Pretty Pear Records (2011)
Being a blues enthusiast, my number one pick this Christmas has to be Karen Lovely’s latest CD, Still The Rain. I’ve listened to every track over and over again and still can’t get enough.

The title track “Still The Rain” is contemporary blues at it’s very best. But don’t overlook one single song on this CD. Every one is a winner in my book. Tracks from this CD have kept Karen Lovely at the number one spot on Blues City Radio for the past eight weeks straight with no signs of slowing down.
Karen Lovely has the potential to become a blues phenom!
Etta James
Icon
Geffen Records (2010)
I don’t generally buy “collection” type CDs, but Etta James is the exception to the rule on this one.
Her CD Icon, a 12-song sampler spans the best of Etta over her illustrious career.

From “At Last” to “I’d Rather Go Blind,” this CD highlights her many hits. There’s just something about her sultry, soulful voice and lyrics that takes one on a musical journey that is hard (if not impossible) to duplicate. This is a “Must Have” CD for anyone who loves, blues, soul and R&B. I guarantee it will not be re-gifted.

Thanks to all my pals who contributed here. Happy Holidays to all!

GRAMMY Winner Yonrico Scott Heads to Myrtle Beach for SxSE Show

Posted in Music Stories by darielb on December 1, 2011

Yonrico Scott. Check out the drum head.

On Jan. 31, 2010 drummer Yonrico Scott was onstage at the L.A. Convention Center for the pre-telecast award ceremony of the GRAMMYs accepting the award for Best Contemporary Blues Album for the Derek Trucks Band. On Dec. 3, he and his own Yonrico Scott Band will hit the stage right here at the historic Myrtle Beach Train Depot for the final South By Southeast Music Feast of the year.


This is why I “Trust the Frog.” The folks at SxSE spend their time scouring the road not taken by the mainstream bandwagon to bring us some of the country’s most respected singer/songwriters and musicians, most of whom aren’t household names to the public, but are well-known to other musicians.

Yonrico Scott is one of this talented community of musicians. He played with the Derek Trucks Band from about 1993, he guesses, until the band went on hiatus late last year so Derek could form a new band with wife Susan Tedeschi. He has toured with Peabo Bryson and Earl Klugh and played with greats like Stevie Wonder, Ray Charles, Aretha Franklin, Freddie Hubbard and the Allman Brothers Band.

In a telephone interview earlier this week, we talked about his GRAMMY experience, his career and his passion for art.
As a child, Scott was greatly influenced and encouraged by his mother Ruth Naomi Scott, a gospel singer who grew up in Detroit. She was a member of the Detroit Harmonettes and it sounds like she cherished her son’s budding talent.

“She was truly an angel,” says Scott, “always encouraging me. I started playing drums at about five years old.”

By age 14, he was studying with Motown drummer George Hamilton. At 15, he recorded “Message From the Ghetto” with The Sons of Truth for the Stax gospel subsidiary.

He went to college in Kentucky, studying drums and percussion with Chicago Symphony classical percussionist Patrick Arnold and classical timpanist Dave Davenport. Scott says his classical study is the reason that he is the drummer he is today.

Upon moving to Atlanta, Ga. in the late seventies, he immediately met guitarist George Greer, who turned him on to the neighborhood arts center. Connections made there helped get his foot in the door of the jingle business, and he started doing work for Atlanta mogul Ted Turner.

Sometime in 1992 or 1993, he had a call from Col. Bruce Hampton (Gov’t Mule) with the news that then 14-year-old Derek Truck was looking for a drummer.

“The first time I heard him play, I knew this was big,” Scott tells me. “The first year we played 320 dates. We did all the small cities.
“A lot of people don’t know, but when I started with DTB, we were doing bebop … all sorts of stuff.”

Because DTB took a regular hiatus, Scott was able to play with his own Yonrico Scott Band, which includes Kofi Burbridge, keys/flute; Todd Smallie, bass; Mace Hibbard, sax; Nick Johnson, guitar; Laura Reed, special guest vocalist; and many other players on different occasion. YSB’s debut release, Turning the Corner, a 12-track disc of mainly jazz instrumentals, was released in January, 2004.

His first touring job was with Peabo Bryson and Patti LaBelle. Through Bryson, he connected with Broadway and spent several years working in productions such as The Wiz, Dream Girls, Les Misérables and Five Guys Named Mo, which featured the music of Louis Jordan.

What was it like getting a GRAMMY, I wanted to know.

“I loved it. I walked the red carpet with Ringo Starr on my right and Mick Fleetwood on my left.”

He continues, “Derek had been really cool with it, said he wasn’t going to go, so I said that I was thinking of going and Derek asked me to represent the band, so then it was official. I was going!”

Scott kept a GRAMMY journal about the experience that’s posted on the Derek Trucks Band site. It’s a great read. I love how much fun he’s having with it. Here’s just a snippet:

“I get the award and I’m trying to stay composed on stage but in my mind, I’m freaking out! A lot of the other winners seemed so relaxed when we won, but for me it was just such a huge deal. I had this Grammy in my hand and I was just blown over! Right now I still think it’s a dream and I just wonder when the dream will be over.”

Throughout all Scott’s stories (and he has many), I was impressed by just how jaded he is not. He is embracing every experience that comes along.

“After I got the Grammy, I decided I wanted to do another album. I started in March of 2010, and I finished about three months ago.”

Scott is very excited about the new recording, Be In My World, which he expects will be released in early 2012. Players include his sister Ronda Scott (they sing a duet); vocalist Laura Reed from South Africa; Derek Trucks; DTB bass player Todd Smallie; DTB vocalist Mike Matteson, jazz guitarist Grant Green Jr.; virtuoso bassist Joseph Patrick Moore; singer/songwriter Diane Durrett and more. Three of the tracks are written by funk keyboardist Reverend Oliver Wells. Scott himself wrote several tracks.

“There are 15 original songs and a cover of Buddy Miles’ “‘dem Changes,’” Scott says, “and this is the first recording with me as a lead vocal. So that’s me on vibes, percussion, singing and drums. The album, titled Be In My World is a tribute to Buddy Miles.”
Art is another passion for Yonrico Scott. “I was always drawing and making stuff, as a kid.”
Once again, his mother was at his side, encouraging him.

“‘You can have the upstairs. Do whatever you want,’ my mother told me,’ Scott laughs.

“Then, when I started with Derek, we were making up set lists and I started drawing on them. We would make color copies for the band, and then for some of the fans. And now they’re collected all over the place.”

Scott is a prolific artist, painting drum heads for his many gigs along with paintings.

“I’m not a trained artist,” he continues. “I’m making a statement . . . One of my biggest idols was Howard Finster [legendary Atlanta folk artist known for his 1980s album designs for groups like R.E.M. and Talking Heads].  He told me to keep doing my own stuff. Don’t take lessons. So that’s what I do.”

This past October, when  visionary artists Alex and Allison Gray, known for their psychodelic album covers, came to Atlanta’s inaugural Visionary Arts Fair, Yonrico was part of it.

“I was playing drums, wearing a crazy suit. I loved it.”

So much is  happening for Yonrico Scott these days, it’s  hard to keep up.

“The biggest thing for me right now is a new band. I’ve been invited to join the Royal Southern Brotherhood with Cyril Neville, Devon Allman and MIke Zito with Charlie Wooton on bass. The band will debut at the New Orleans Jazz Fest, and we have bookings through Dec. 2012.”

Joining Scott at the SxSE gig will be jazz keyboardist Buzz Amatto, guitarist Randy Honea, and Ted Peccio on bass. Something tells me this is going to be a genre-jumping adventure, and I can’t wait.

Music Feasts are $25 per person ($20 for SxSE annual concert series members). Reservations are suggested. Send an email to southxsoutheast@aol.com, with the number of tickets and your zip code. They’ll put you on their A list.

The Myrtle Beach Train Depot is located at 851 Broadway in Myrtle Beach. For more information about the SxSE event,log onto http://www.southbysoutheast.org.

Note: I loved talking with Yonrico Scott, and there’s a lot more to the interview, so I plan to organize my notes and add some of them to this blog post soon.

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