Rickey Godfrey – Back At the Beach
Woo woo! It’s about time this Nashville boy got his butt back to the beach. Rickey Godfrey’s tearing into town for three short days before he grabs a bus back to Music City so he can finish his CD on schedule.
On Thursday, Sept. 2, he’ll play Key West Crazy on the waterfront in Little River, S.C. Show time is 7 – 10 p.m. This is a great little spot, with a full-on restaurant to go along with its full-on bar. I’ll be there, so I hope the margaritas are still $2.50, and I can’t wait to get me some fried green beans!
The next night, Friday, Sept. 3 Rickey’s heading to the ILM to play the Rusty Nail. This is one of my favorite dives in Wilmington (N.C.). It’s your basic smoke-filled room, a lowdown blues joint that just happens to be home to the weekly blues jam for the Cape Fear Blues Society (CFBS). You never know who’s going to stop by. Joining Rickey on this gig will be Wilmington bass player Lan Nichols (also head honcho for CFBS ) and drummer Rich Laverdure, both of whom play with Tommy B. & the Stingers. The show starts at 8 p.m.
On Saturday, Sept. 4, at 9 p.m., Rickey turns south again to the Grand Strand, this time playing at Cool Daddy’s, on Ninth Avenue behind Ripley’s, just near the old Pavilion. Cool Daddy’s is owned by Diane and Phil Salone , drummer for Myrtle Beach-based funk-blues band, Inlyn Gruve. Phil will be on the drum kit and Jimi Brown will be playing bass.
Get yourself to one or all of these gigs, because Rickey’s gonna be wailing on his Telecaster and you don’t want to miss a note!
For those of you who are just now discovering this versatile virtuoso, let me bring you up to speed on all things Godfrey. Rickey Godfrey, who has been blind since birth, began studying classical piano and voice at an early age. He had his first guitar by the time he was 13. Performing throughout the U.S., Canada and Europe, he has worked with artists such as Rufus Thomas, Sam Moore, Billy Preston and Junior Walker. He has been nominated by the Music City Blues Society for both Guitarist and Keyboard Player of the Year. Last year he played the Montreal Jazz Festival with the Chocolate Thunder band.
Rickey is well known throughout the Carolinas for his hit songs “Can’t Change My Heart,” “No One Loves You Better Than Me,” “Whatever It Takes” and “If Ten’ll Kill Me, You Can Give Me Nine.” He’s earned a pile of CBMA awards including blues album of the year, group album of the year, song of the year and more.
For the past several months Rickey has been writing, composing and recording for his new blues CD, which he expects to complete by early October. “I’m having a lot of fun with this recording,” he grins. “This is a blues CD, so I really let go on guitar and piano, too. Not everyone knows that I play keys, so it’ll be a surprise to some folks. I wanted to do a really sparse album that showcased my own instruments, so it’s not overly produced. You’ll hear Don Wise [formerly with Delbert McClinton] sitting in on sax once or twice. Shaun Murphy from Little Feat and N.Y. soul singer Angel Rissoff are going to add some great background vocals. I’ll be doing a few of the tunes on this trip to the coast, so y’all are going to get a sneak peak of what’s comin’.”
Rickey doesn’t play around these parts often enough, so I hope you’ll come out in droves and show this boy some love.
Key West Crazy is located in Little River, S.C. at 4492 Water Front Ave. For information, call 843-249-6163. Address for the Rusty Nail is 1310 S. Fifth Street, Wilmington, N.C. Telephone: 910-251-1888. Cool Daddy’s Bar & Grill is at 300 9th Avenue North in Myrtle Beach, S.C., located behind Ripleys. Free parking passes are available for patrons. A refundable $10 deposit may be required. Telephone: 843-333-5941. For more information about Rickey Godfrey and to listen to a sampling of his music, visit his Facebook fan page.
Lovin’ ‘LuLu’s House’
I’ve been following the career of Columbia, S.C. musician J Edwards for just over a year. I first heard him at a club in Columbia and was struck immediately by the soulful vocals he delivered. Then I got hold of a couple earlier CDs: Watcha Doin’ (2006), which is mainly acoustic blues; and Everything Changes (2008), electrified and less bluesy, with a full band. The musical arrangements along with the same raw, gut-sucking vocals convinced me to include Everything Changes in my CD Picks (February 11, 2010).
Long story short, when J Edwards told me he was hard at work on a new blues CD, I was giddy with anticipation and more anxious for it than a school girl shopping for her first brassiere.
I’m happy to report that LuLu’s House hits home in a big way. This ten-track recording overflows with goose-bumpin’ vocals, boot-stompin’ blues and heartstopping musicianship. LuLu’s House beckons us in to meet some good ole down home folks and share in the sumptuous buffet of Southern life. It’s all about eatin’ and leavin’, leavin’ and eatin’. LuLu sets the tone for a warm, if irreverent group of House dwellers. There’s not a loser in the bunch.
Track one, “Aint Gonna Be Your Dog” is a love song, but he suspects she’s leaving, so he sets some rules. And I bet LuLu approves.
Baby when you’re home, you walk away from me
And when you talk, you talk away from me
When you laugh, it ain’t with me
I’ll be your everything
But I ain’t gonna be your dog
Track two is also about leaving. “You Told Me You Loved Me” is a heartachy tune about life’s shortcomings and love’s disappointments. Between vocals by J Edwards and signature guitar work from Nashville artist Rickey Godfrey, you’ll be feeling this straight ahead blues tune.
You said you loved me
That you would never never never go
You said you love me
That you would never never go
Now you say you’re leaving
I say I told you told you so
Told your friends you would change me
Said you were gonna tie me down
Told your friends you would change me
Said you were gonna tie me down
There are nights I go out drinkin’
You don’t even stick around
I thought you said you loved me baby
At LuLu’s House, love is definitely a double-edged sword.
According to J, “New Shoes” is his take on Northern blues. The shoes are dapper, the coat is fancy and this boy is “whistlin’ while he’s walkin’.” Leavin’ again.
Edwards told me that most of these tunes have been around for years. He said, “I wrote them back when I was playing the Columbia blues clubs every weekend, so when I decided to do another CD, I came up with some different arrangements of blues ideas and songs I’d written. In fact, ‘I Got a Woman’ is one of those songs.”
“I Got a Woman” is the standout tune off the CD. It features plaintive vocals by J and more searing guitar licks from Rickey Godfrey.
J says response to the tune has been phenomenal. “It’s a solid blues song – simple progressions, simple lyrics … but every blues player I’ve jammed with falls in love with it. Someone will say, ‘Hey, if you’re going to do that song, I wanna play guitar on it.’ I was in Nashville earlier this year, at the Pro Blues Jam with Tim Gonzalez, the Bourbon Street Blues & Boogie Bar in Printer’s Alley. Rickey Godfrey was on guitar. I think it was maybe the second or third time he played it and … whoa!”
There’s a video of that performance on YouTube. You can see it for yourself at http://www.youtube.com/watch?v=y2E5cv25Zcs.
A side story to that, J told me he had really enjoyed the guys jamming with him that night. Back at the studio, he said the same to producer Mike O’neil , mentioning the bass player, in particular. O’neil knew the guy (Gere Hoffman) and worked with him often, so he wound up playing on the CD, too.
“Taste” is another “taste of somethin’ good,” with lusty, whisky-edged vocals and a performance by the backing band that is solid on its own, but never steps on the vocals.
Rickey Godfrey, a top drawer vocalist in his own right, explains it like this: “J’s vocals are so strong, so huge, I think we all just tried to stay out of his way, and let him put it out there. No one wanted to play over him, we wanted to support him. It’s not every day you have a vocalist like this to work with.”
Track eight, “Come On In the Bedroom,” is another of my favorites, for the pure lustfulness of it. And again, great band work.
But what about the CD title? I wanted to know where LuLu’s House came from.
“I remember, as a kid,” J Edwards says, “that everyone had songs about LuLu … and some of them were kinda dirty … so this is my song about LuLu: “Eatin’ About LuLu’s.”
“You know, you see people on the side of the road sometimes with signs ‘Will Work For Beer.’ They’re honest about it.
“Well, this guy, this street musician may drink some, but it’s really about the food.”
He can “eat down to LuLu’s for 65 cents …” He just wants some pancakes. When LuLu’s House turns out to be a cathouse, too, our boy’s not opposed to sharing her bed, but it’s still the “biscuits and hamhocks” he’s really lusting for.
And that’s where LuLu’s House came from. Check out the tuba. Makes you feel like you’re on the streets of New Orleans somewhere, ready to head on over to LuLu’s. For the food.
Players on LuLu’s House include: vocals, J Edwards; piano and organ, Larry Van Loon; drums and percussion, Mike O’neil; bass, Gere Hoffman; guitar, Kenne Cramer; harmonica, J Edwards; additional guitar on “I Got a Woman” and “You Said You Loved Me, Rickey Godfrey; additional bass on “Eatin’ at Lulu’s” and “Taste,” Kevin Grantt; saxophone, “Summer’s Waiting,” Dana Robbins; tuba on “Eatin’ at LuLu’s,” Matt Glassmeyer.
Recorded at Serenity Hill Studios, Nashville, Tenn; producer, Mike O’neil; engineer, Brian Tortoro; mix, Mark Polack; mastered at Serenity Hill by Mike O’neil and Mark Polack.
For more information, visit the website: jedwardsband.com or look for J Edwards on Facebook.


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